Sundance
Black Dynamite
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Black Dynamite - Michael Jai White
Honey Bee - Kym Whitley
Cream Corn - Tommy Davidson
O'Leary - Kevin Chapman
Bullhorn - Byron Minns
Gloria - Salli Richardson-Whitfield
Chocolate
Giddy Up - Cedric Yarbrough
Chicago Wind - Mykelti Williamson
Sweet Meat - Brian McKnight
Back Hand Jack - Bokeem Woodbine
Tasty Freeze - Arsenio Hall
Kotex - John Salley
Richard M. Nixon - James McManus
Patricia Nixon - Nicole Sullivan
Helmer and co-writer Sanders, whose "Thick as Thieves" graced Sundance a decade ago, has assembled a topnotch crew with whom to flaunt the low-budget eye candy of "Dolemite," "Superfly" and, particularly, "The Mack": flared threads, tall 'fros, and, er, 'hos. The director's kung-fu kicks and .44 Magnum blasts are as stupendously timed as his slang-slinging one-liners -- which is to say that, unlike some blaxploitation remakes, "Dynamite" never forgets to deliver the goods.
Plot, such as it is, has muscular, mustachioed ladykiller Black Dynamite avenging his brother Jimmy's murder at the hands of drug-dealing cats in cahoots with the Man -- aka O'Leary (Kevin Chapman).
Teamed with the likes of flamboyant queen Cream Corn (Tommy Davidson) and tough-as-nails Bullhorn (co-writer Byron Minns), suave baadasssss Dynamite follows the Man's menace from a doped-up orphanage to a warehouse stocked with absurdly poisonous malt liquor, eventually getting it on with nectar-sweet activist Gloria (Salli Richardson-Whitfield).
Hilarious climax finds Dynamite going mano-a-mano with a nunchuks-swinging Richard Nixon.Sanders and his key collaborators -- veteran costume designer Ruth E. Carter, production designer Denise Pizzini, d.p. Shawn Maurer and editor Adrian Younge (who also wrote the wah-wah-fueled music) -- make enjoyably funky use of split screens, shaky zooms, and drooping boom mics. (Sanders stops short of digitally manufacturing scratches on the print a la "Grindhouse," which is maybe just as well.)
Pic's many fight scenes, owing to "Enter the Dragon" more than anything in the blaxploitation oeuvre, are ingeniously choreographed by the Yuan brothers, Ron and Roger.
Distinctly not circa '73 are soundwoman Sara Glaser's Dolby thwacks and cap-peelings -- but, like the film, they're loud and fun.
Camera (color, Super 16-to-35mm), Shawn Maurer; editor, Adrian Younge; music, Younge; music supervisor, David Hollander; production designer, Denise Pizzini; set decorator, Antonia Nunez; costume designer, Ruth E. Carter; sound (Dolby Digital), Sara Glaser; supervising sound editor, Sean Gray; visual effects supervisor, Brian Adler; animation, Six Point Harness; fight coordinators, Ron Yuan, Roger Yuan; stunt coordinator, Ron Yuan; associate producer, Intesar Haider; assistant director, Chad Rosen; casting, Rick Montgomery. Reviewed at Sundance Film Festival (Park City at Midnight), Jan. 18, 2009. Running time: 90 MIN.
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