Rock Music
Paul Westerberg - '49:00'
Dry Wood Music
Most Viewed:
'Carol' in tune with box office(4243 views)Gyllenhaal goes straight to 'Source'(2236 views)The Wanda Sykes Show(614 views)'Precious' on path to indie success(593 views)Bradley Cooper 'Fields' film offer(590 views)'Wanda' off to good start in ratings(533 views) |
There are no real track dividers and no song titles, just an album's worth of song fragments and some complete songs smooshed into a roughly mixed, chaotic sounding whole. The sound is raw, but easily better than that found on the rough recordings released under his GrandpaBoy alias. Nothing here is new musically speaking, but Westerberg's lyrics about lovable losers and dreaming drunkards are as astute as ever. As can be expected, the songs move from warped country to garagey beatdowns to charmingly fuzzy indie rock.
Songs are sometimes invaded midstream by other melodies and riffs, making for a tough, but interesting, listen. A highlight arrives a 14:15 -- a particularly sloppy, and very fast, fade from a countrified rocker to a quick montage of song snippets (sort of like flipping through the stations) before finally segueing into a more cohesive hard rock tune about the devil.
The album's last few breaths consists of includes blink-and-you'll-miss-'em snippets from sloppy, Replacements-style covers such as "Hello Goodbye," "I am a Rock," "Rocket Man," and "Born to Be Wild". However, an earnest take on the Partridge Family's "I Think I Love You" sticks around for a few blissful minutes.
Variety is striving to present the most thorough review database. To report inaccuracies in review credits, please click here. We do not currently list below-the-line credits, although we hope to include them in the future. Please note we may not respond to every suggestion. Your assistance is appreciated.







