Recently Reviewed
Living Lohan
(Series; E!, Mon. May 26, 10:30 p.m)
|
|
Most Viewed:
'New Moon' crosses $200 million(4810 views)Invictus(2088 views)The costs of H’w’d spending(1723 views)Hollywood sea of change(1434 views)Pearce hops on to 'Hungry Rabbit Jumps'(667 views) |
In truth, the Lohans' relationship with the tabs is completely symbiotic, as evidenced by Dina's morning ritual: Rushing outside her Long Island home to scour the papers for whatever scurrilous lies and distortions they might have run about poor Lindsay, her actress daughter.
At the same time, Dina, as both manager and mom, is pushing younger daughter Ali, 14, into the limelight, and the show's premiere follows along as Ali tries to select songs for a new album. Listening to Ali and her mother badger a record executive about the teenager's creative vision provides unintended comedy, representing E!'s best hope of transforming "Living Lohan" into a guilty pleasure, if not for the reasons Dina (who doubles as a producer) would doubtless like.
Other than that, though, the most salient aspect of the series is that it's profoundly boring, wringing out sprinkles of drama as best it can. Ali signs autographs and interviews a producer while Dina sweats the details. Along the way, Dina's mother and youngest son, 11-year-old Cody, share what it's like to be part of such an under-the-microscope family, but the storytelling has all the sizzle of visiting someone's house and having them trot out homemovies of the kids after dinner.
Inasmuch as the Lohans live under perpetual scrutiny from TMZ and its ilk, there's undeniable logic in using the media to launch a kind of defense, and attention-seeking E! was savvy enough to oblige, pairing the show with an equally tab-friendly reality concept featuring Denise Richards. What emerges from a viewing standpoint, however, is another catchy, alliterative title in search of an actual TV program -- one that delivers less insight into what makes the Lohans run than Tracey Ullman's spoof on her new Showtime series.
Imitation, in this case, really is the sincerest form of television.
Camera, Matt Valentine; editors, Lisa Trulli, Gabriel Forster; music, Michael Suby. 30 MIN.
Variety is striving to present the most thorough review database. To report inaccuracies in review credits, please click here. We do not currently list below-the-line credits, although we hope to include them in the future. Please note we may not respond to every suggestion. Your assistance is appreciated.








