S.F. Asian American
The Killing of a Chinese Cookie
(Documentary)
Read other reviews about this film
With: Eric Nakamura, Martin Yan, Philip Chiang, Erika Grace Powell, Doug Orr, Brian Kito, Tanako Hagiwara, Eleanor Chu, Frank Winston, Sharon Leong.
It turns out there's quite a bit of argument over who "invented" the fortune cookie, with several San Francisco and Los Angeles figures claimed by their descendants and some scholars as deserving the credit. Likeliest scenario, however, is that it was created as a promotional item for the still-extant Japanese Tea Garden in San Francisco's Golden Gate Park nearly a century ago.
When West Coast Japanese-Americans were sent to internment camps after Pearl Harbor, Chinese-American bakeries began making the cookie, which gradually became ubiquitous in Chinese restaurants despite having no traditional role in Chinese cuisine.
Now it's a global thing, valued not so much for taste as for entertainment value. One mass-production factory produces up to 5 million of the (once hand-made) sweets per day. We also meet professional fortune writers, and some in the diverse roster of interviewees are asked to pen their own ideal fortunes -- the best being "Stop being so desperate that you're looking for answers here."
Sometimes it's a good idea to follow one's fortune, however, as about 120 Powerball gamblers discovered not long ago. Expecting something closer to four or five high winners, lottery officials suspected a security leak, only to find that the lucky numbers had corresponded to those in a recent fortune cookie.
Other diverting bits include relevant episode clips from "The Monkees" and "The Simpsons." There's discussion of the naughty popular jape of adding "in bed" to the end of any fortune recitation, as demonstrated in a funny clip from the feature film "Guinevere," though a terrific skit from the sketch-comedy series "Upright Citizens Brigade" is strangely absent. An anonymous conceptual artist who snuck absurdist-message cookies into restaurants to see patrons' reactions is another highlight.
Shimoda and editor James Lu sometimes questionably cut footage to make certain interviewees look foolish, although the technique duly raises laughs. More appealing in the overall sharp package is some simple animation by Neil Lee Thompsett.
Camera (color, DV-to-HD), John Taylor; editor, James Lu; music, Miho Hatori; sound, Dave Barber; animation, Neil Lee Thompsett. Reviewed at San Francisco Asian-American Film Festival (competing), March 15, 2008. Running time: 75 MIN.
Variety is striving to present the most thorough review database. To report inaccuracies in review credits, please click here. We do not currently list below-the-line credits, although we hope to include them in the future. Please note we may not respond to every suggestion. Your assistance is appreciated.
