New U.S. Release
Deck the Halls
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Buddy Hall - Danny DeVito
Steve Finch - Matthew Broderick
Kelly Finch - Kristin Davis
Tia Hall - Kristin Chenoweth
Madison Finch - Alia Shawkat
Carter Finch - Dylan Blue
Ashley Hall - Kelly Aldridge
Emily Hall - Sabrina Aldridge
Wallace - Jorge Garcia
Gustave - Fred Armisen
"Around here, I'm the Christmas guy," explains tightly wound optometrist Steve Finch (Broderick) when his new neighbor, Buddy Hall (DeVito), decides to transform his snow-covered New England house (actually Vancouver) into a spectacle of lights.
Buddy's inspiration, however, makes about as much sense as everything else in the movie -- namely, the information that some houses can be detected via satellite from space prompts him to keep adding wattage until the feat is achieved, almost on a whim.
This annoys Steve to no end, though it doesn't seem to bother his wife (Kristin Davis), who quickly bonds with Buddy's free-spirited missus (Kristin Chenoweth).
Steve's regimented approach to Christmas also leaves little spontaneity for dealing with his kids, a surly teenager ("Arrested Development's" Alia Shawkat) and depressed 10-year-old (Dylan Blue). All told, someone is surely going to learn a lesson about the meaning of Christmas -- after, that is, a requisite assortment of pratfalls, bickering and winsome music meant to confuse the audience into thinking they're having a good time.
As Buddy, the car salesman who finally finds a purpose, and Steve, the tight-ass who needs to lighten up, DeVito and Broderick might have the makings for an old-fashioned odd-couple comedy, but none of that is developed in a meaningful way. Indeed, their feuding is silly and doesn't logically escalate as the movie lurches from one interlude to the next -- none particularly big, splashy or even all that destructive, reflecting production values as modest as the script.
Nor is there any depth or pathos, beyond DeVito's wounded expression, when Steve dubs Buddy a loser, which at least might help explain his sudden obsession with being seen from above. In fact, a cynic might conclude that the whole movie exists because a house made up to resemble a Vegas casino makes for a swell 30-second TV spot.
Director John Whitesell and one of his three writers here, Don Rhymer, collaborated on "Big Momma's House 2," and "Deck the Halls" represents a similar marriage of comedy and commerce. Fleeting appearances by "Lost's" Jorge Garcia and "Saturday Night Live's" Fred Armisen also suggest some cutting to mitigate the damage, or at least the number of times patrons will be tempted to contemplate whether it's time for a new watch.
"This is just getting embarrassing," Chenoweth's character fusses at one point. It's meant to lament the boys' bad behavior, but she could just as easily be discussing the movie itself, which, even with its underlying themes of family and holiday spirit, warrants coal in the stockings all around.
Camera (Technicolor), Mark Irwin; editor, Paul Hirsch; music, George S. Clinton; music supervisor, Patrick Houlihan; production designer, Bill Brzeski; art director, Dan Hermansen; set decorator, Tedd Kuchera; costume designer, Carol Ramsey; sound (Dolby/DTS), Patrick Ramsay; supervising sound editor, Jon Johnson; assistant director, Michael Neumann; second unit director/stunt coordinator, Charles Croughwell; casting, Coreen Mayrs, Heike Brandstatter, David Rubin, Richard Hicks. Reviewed at 20th Century Fox studios, Los Angeles, Nov. 16, 2006. MPAA Rating: PG. Running time: 93 MIN.
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