Dunston Checks in
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Robert Grant ... Jason Alexander
Mrs. Dubrow ...Faye Dunaway
Kyle Grant ... Eric Lloyd
Lord Rutledge ... Rupert Everett
Brian Grant ... Graham Sack
Buck La Farge ...Paul Reubens
Lionel Spalding ... Glenn Shadix
Victor ... Nathan Davis
Mrs. Dellacroce ... Jennifer Bassey
Dunston ... Sam
Robert Grant (Jason Alexander) manages the upscale Majestic Hotel in L.A. A widower, he's raising two boys (young Eric Lloyd, teenager Graham Sack), who look upon the venerable hostelry as their private playground. They've been warned to cool the hijinx with the impending visit of capricious, slightly ruthless owner Mrs. Dubrow (Faye Dunaway).
The iron mistress informs Grant that an agent of the prestigious Le Monde guide is expected. He'll be traveling incognito, but if everything runs with precise Swiss movement, the Majestic stands to be the first U.S. hotel to earn a six-star rating. To that end, it's clear Robert is expected to give it more than just the old college try.
In the tradition of classic farce, a misunderstanding arises that sets the wheels in motion for some antic fun. A new guest, Lord Rutledge (Rupert Everett) , is mistaken for the discreet inspector when he's spied (via hidden camera) scrupulously inspecting the edifice's nooks and crannies. Actually, he's scouting the terrain for security breeches that will allow him to practice his real vocation -- thievery.
He's abetted by a dexterous simian named Dunston (Sam), who's adept at second-story work. But Rutledge has a mean streak, and Dunston flees into the duct works of the establishment. When he popsout, it's to adopt Robert's son Kyle (Lloyd). The orangutan is adroit at keeping himself hidden, and everyone dismisses the young boy's claims about the ape.
While the Majestic is aptly named, there's something reassuring about setting the comedy within its confines: Pic echoes the zaniness of the Marx Brothers or such successful farces as "What's Up, Doc?"
Director Ken Kwapis displays a deft touch, balancing realistic elements and outsize characterizations. Pic's unflagging pace and the unexpectedly witty script by John Hopkins and Bruce Graham complement the simplicity of this construct.
Alexander is a confident anchor for the evolving chaos. When he does spin out , it's to good effect. Everett and such eccentric guests as the portly Glenn Shadix and exterminator Paul Reubens provide the picture's major laughs. Lloyd, last seen in "The Santa Clause," proves neither a one-shot wonder nor the victim of false sentimentality, and Sam the orangutan was born to play the title simian.
A wonderfully stylish piece, the smooth package is handsomely lensed by Peter Collister and designed by Rusty Smith. "Dunston Checks In" has the look of something suited for children but has decidedly wider appeal, as the reservations of mature viewers would mostly evaporate within minutes of its hitting the screen.
Camera (Deluxe color), Peter Collister; editor, Jon Pol; music , Miles Goodman; production design, Rusty Smith; art direction, Keith Neely; costume design, Alina Panova; sound (Dolby), Clark D. King; animal trainers, Michael Morris Jr., James Dew, Mike Boxer, Bob Dunn; assistant director, John T. Kretchmer; casting, Linda Lowy, John Brace. Reviewed at the Avco Cinema, L.A., Jan. 5, 1996. MPAA Rating: PG. Running time: 88 MIN.
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