Cosmic Slop
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Cast: Robert Guillaume, Michele Lamar Richards, Jason Bernard, Edward Edwards , George Wallace, Brian Reddy, Larry Anderson, Brock Peters, Bertice Berry, Franklin Cover, Casey Kasem, Roxie Roker, Ebonie Smith, Craig Kirkwood, Liz Larou.
In the first installment, "Space Traders," a fleet of UFOs offers to solve the nation's most pressing social problems -- crime, poverty and pollution -- if the U.S. agrees to surrender its entire black population to the aliens.
Viewers able to get past the unlikely setup will find that scripter Trey Ellis, using a short story by Derrick Bell as a springboard, weaves an interesting premise while proficiently using current ideas and tensions as catalysts for his characters.
The result, which borrows heavily from sources as diverse as blaxploitation films and web docudramas, is a sometimes unsettling look at racism. Yet Ellis and the producers buffer the seriousness with fun-poking that attacks well-worn stereotypes.
Robert Guillaume brings credibility to Gleason Golightly, the lone black member of the Cabinet, who tries to rally the public against the surrender, which will be put to a national vote.
The political leaders refuse to heed Golightly, so he takes his case to the nation's corporate chiefs, who denounce the alien offer by noting the financial impact blacks have on the economy. The CEOs detail losses that would occur if blacks stopped purchasing alcohol, cigarettes and athletic shoes.
"Just Say No" mantras to the proposed referendum are offered on infomercials, such as the one hosted by voicemaster Casey Kasem, who comes across as a politically correct Tony Little.
Director Reginald Hudlin uses an array of angles to sell the story, and wisely gives Guillaume plenty of room to ply his trade. Top-notch contributions are turned in by George Wallace (as Golightly's wise-cracking barber) and Jason Bernard (as a respected news anchor).
Bruce Long and Scott Enyart serve up a series of special effects, some intentionally hokey, that link the aliens to the real world. A funky theme by George Clinton -- who also intros the seg that is named after one of his songs -- helps give the show a solid foundation.
Camera, Peter Deming; editors, Richard Hiltzik, Howard Scott Stein; production designer, Bryan Jones; art director, Steve Karman; sound, David Chornow; music, John Barnes, George Clinton, Bernard Worrell. 90 MIN.
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