Broadway
Grease
(O'Neill Theater, New York; 1,090 seats; $65 top)
Miss Lynch - Marcia Lewis
Betty Rizzo - Rosie O'Donnell
Roger - Sam Harris
Sandy Dumbrowski - Susan Wood
Danny Zuko - Ricky Paull Goldin
Teen Angel - Billy Porter
Here O'Donnell plays another Betty -- greaser chick Rizzo, whose hubcap romance with Kenickie (Jason Opsahl) represents half of the show's modest plot. The language in "Grease" has been somewhat retrofitted to make it even more inoffensive than it was 22 years ago, though having a working-class high school girl dispatch her steady to the drugstore for tampons does jar somewhat, even if the interchange is only a heavy-handed plot device. "Grease" was, and it remains, a period piece.
As new-girl-in-town Sandy Dumbrowski, Susan Wood is pretty and has a swell voice that will certainly be put to better use soon. As her fickle beau, Danny Zuko, Ricky Paull Goldin is totally bland. Billy Porter, who recently played this theater as a Guy Named Moe, is now a soulful Teen Angel. Priming the crowd before the curtain rises, Brian Bradley is sweatily smarmy as the sweatily smarmy DJ Vince Fontaine. Hide your daughters.
Tommy ("I don't do revivals") Tune reputedly lent his name to this production to give his protege, Jeff Calhoun, a showcase while Tune himself worked on the "Best Little Whorehouse" revival -- I mean sequel -- a few blocks away. Calhoun needs some more protege-ing. The use of Hula-Hoops, tires and such in the choreography is vintage Tune, but the way they are used is effortful, derivative and vulgar. The staging is only slightly more competent.
John Arnone's Day-Glo designs are too garishly lit by Howell Binkley to be much fun, and Willa Kim's costumes range from unattractive black-and-white cartoon numbers to serviceable '50s styles. The music -- one song has been dropped and the Skyliners' hit "Since I Don't Have You" has been added for Sandy -- is well played and presented.
So if "The Best Little Whorehouse Goes Public" is for the tired businessman, is "Grease" for the tired teen? Whatever the case, tired is the operative word.
Sets, John Arnone; costumes, Willa Kim; lighting, Howell Binkley; sound; Tom Morse; musical coordinator, John Monaco; casting, Stuart Howard and Amy Schecter; production stage manager, Craig Jacobs; technical supervisor, Arthur Siccardi; general manager, Charlotte W. Wilcox. Opened May 11 , 1994. Reviewed May 10. Running time: 2 HOURS, 20 MIN.
Musical numbers: "Alma Mater," "We Go Together," "Summer Nights," "Those Magic Changes," "Freddy, My Love," "Greased Lightnin'," "Greased Lightnin' " (reprise), "Rydell Fight Song," "Mooning," "Look at Me, I'm Sandra Dee," "Since I Don't Have You," "We Go Together" (reprise), "Shakin' at the High School Hop," "It's Raining on Prom Night," "Born to Hand-Jive," "Beauty School Dropout," "Alone at a Drive-In Movie," "Rock 'n' Roll Party Queen," "There Are Worse Things I Could Do," "Look at Me, I'm Sandra Dee" (reprise), Finale.
With: Michelle Blakely, Brian Bradley, Paul Castree, Hunter Foster, Carlos Lopez, Megan Mullally, Jason Opsahl, Sandra Purpuro, Heather Stokes, Jessica Stone, Clay Adkins, Melissa Bell, Patrick Boyd, PattiD'Beck, Katy Grenfell, Ned Hannah, Janice Lorraine Holt, Denis Jones, Brian-Paul Mendoza, Allison Metcalf, H. Hylan Scott II, Lorna Shane.
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