Jon B. Platt's Master Class with Faye Dunaway

By MARKLAND TAYLOR

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Master Class (Wilbur Theater, Boston; 1,211 seats; $ 62.50 top) A Jon B. Platt presentation of the Robert Whitehead, Lewis Allen and Spring Sirkin production of a play in two acts by Terrence McNally; director, Leonard Foglia.
 
Cast: Faye Dunaway (Maria Callas), Gary Green (Manny), Melinda Klump (Sophie), Scott Davidson (Stagehand), Suzan Hanson (Sharon), Kevin Paul Anderson (Tony). Terrence McNally may have written "Master Class" for Zoe Caldwell, but Faye Dunaway claims it as her own in this gleaming, impeccably produced touring version of the Broadway hit. The delivers a full-size bravura characterization of Maria Callas that has "diva" written all over it. Dunaway's performance style is quite different from Caldwell's: upfront confrontational rather than slyly seductive. And it mines every possible laugh in McNally's cleverly contrived star vehicle. Audiences all over the country will be getting more than their money's worth with this production. A pencil-slim Dunaway, dressed in Callas' trademark black Chanel pantsuit, has the play and audience in the palm of her hand from her first stage-center entrance. She never lets go, readily riding over one- or two- line mishaps as if they were part of the performance. At the Boston opening, following a week of previews, Dunaway's Callas may not have been as multifaceted as Caldwell's, but the actress might well develop further subtleties as the tour continues.
 

Whether she does or not, she's already delivering the goods right now. To begin with, she looks like the mature, dieted Callas. She has the vocal inflections and physical tics down pat. And she has a fine time enacting Callas' former love, a vulgar, coarse-voiced Aristotle Onassis, as the diva's mind drifts into the past. As designed by Michael McGarty, the pristine off-white stage on which Callas delivers her master class fits seamlessly into the Wilbur Theater. And the magical moment when the stage and much of the Wilbur's interior is transformed, via a color projection, into the La Scala Opera House is as thrilling as ever. Leonard Foglia has directed this cast with as much care as he mounted the original production. And his supporting cast is splendid. As Callas' piano accompanist, Gary Green not only plays Bellini, Verdi and Puccini, but acts his role with humor. As La Divina's first student/ victim, Melinda Klump is all vulnerability. But the audience will never know whether she can sing, since Callas barely gives her the chance. Suzan Hanson is the second student. She may not take the full dramatic measure of the scene in which she denounces Callas, but she more than makes up for that with her thrilling, full-voiced singing of Lady Macbeth. Kevin Paul Anderson's tight-pants tenor is as happily good-looking and full of himself as needs to be, ultimately delivering a truly beautiful "Tosca" aria. All told, "Master Class" is a first-rate touring production and a fine opener for Jon Platt's new presidency of the Wilbur. Platt , whose American Artists company is presenting the production in Boston. Markland Taylor

Set, Michael McGarty; costumes, Jane Greenwood; lighting, Brian MacDevitt; sound , Jon Gottlieb; production stage manager, Patrick Ballard. Opened, reviewed Nov. 12, 1996. Running time: 2 hours, 25 min.