Symphony of a Thousand
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Under the power of those moments, one might easily forget the vast and empty rhetoric, the agonizing procession of stops and starts, that came before.
Israeli conductor Eliahu Inbal, whose aptitude for exploring the Mahlerian spaciousness is demonstrated by his recordings for Denon, took on the Eighth after the scheduled Robert Shaw fell ill. As well as anyone could, he honored the music's sporadic bursts of momentum, aided by the physiognomy of the Bowl itself, with the lightning towers nicely serving as platforms for offstage instrumental and vocal forces. Also, as well as anyone could, he achieved some sort of overall balance between the monster choral aggregation and the excellent solo vocal group on the one hand, and the grand noisemaking prowess of the orchestra itself on the other.
Let it be noticed, however, that the symphony, long unknown except by reputation and, therefore, the stuff of legends, drew animpressive 8,362 Bowlgoers this time around, nearly half capacity.
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