Disney Channel Premiere Film Nightjohn
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Cast: Carl Lumbly, Beau Bridges, Lorraine Toussaint, Bill Cobbs, Allison Jones, Kathleen York, Gabriel Casseus, Tom Nowicki, Joel Thomas Traywick, Monica Ford, Patty Mack, Deborah Duke, Danny Nelson, Gerald Brown, Robin McLamb-Vaughn, Alecia I. Gainey, Steven Sutherland, Shannon Eubanks , John P. Ford III, John Herina, Jordan Williams, Bill Gribble, Bruce Evers, James Maybery, Antiwan Isaac. Gary Paulsen's award- winning 1993 novel "Nightjohn" has been turned into an often moving, sometimes uncomfortably pat vidpic written by co-producer Bill Cain and directed -- with lots of missed opportunities -- by Charles Burnett. Nevertheless, "Nightjohn" is a good fictional account of life among Southern slaves in the 1830s and how important literacy, forbidden by the slave owners, was in the undoing of the Confederacy.
Nightjohn has secrets, and one of them he shares with Sarny when she shows interest: Not only can he read and write, but he's here secretly to teach slaves to do the same as a form of liberation. Sarny eagerly studies even as she cares for the youngest Waller (John Herina), acts as go-between for Clel's bland wife Callie (Kathleen York) and neighboring plantation owner Dr. Chamberlain (Tom Nowicki), Callie's amour, and keeps her eyes open.
Sarny tells of another forbidden love, this one between Waller's slave Outlaw (Gabriel Casseus) and Egypt (Monica Ford), of Chamberlain's plantation. Another point of interest: Clel's teenage son Jeff (Joel Thomas Traywick), who makes moves to help the slaves.
The story's important, and young viewers are bound to learn some of the horrors of slavery, observe the mutual loyalty, even spot dissension so early in the white South. Of equal import is the significance in learning to read, which will come as a jolt to some of today's adolescent watchers.
Production looks tidy, too tidy, with Sharen Davis' appropriate costumes ever proper, the cotton-picking reasonably comfortable. Sarny's story, sad as it is, is basically used as a dramatic tool showing the underground reading and writing struggles.
Forced separations, a whipping, two fingers of a hand sliced off and limitless indignities are portrayed, but the program's worth can't overcome its artificial look. The sentiment's strong, Lumbly and Jones are convincing, and a trim Beau Bridges reveals the plantation owner as an heir who's doing what, for him, comes naturally.
Elliot Davis' lensing is bright but routine; Dorian Harris' editing is acceptable. Naomi Shohan's designs for slave life and owners' opulence are, er, traditional.
Camera , Elliot Davis; editor, Dorian Harris; costumes, Sharen Davis; sound, Veda Campbell; music, Stephen James Taylor; production designer, Naomi Shohan; casting, Judith Holstra.
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