Letting Go: A Hospice Journey
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Maysles pioneered this technique in earlier works such as "Gimme Shelter" and "Christo's Valley Curtain."
What emerges is at times hard to watch. Michael Merseal Jr. is an 8-year-old boy who was born with an incurable brain disease.
Of the three subjects here, Michael receives the most in-depth treatment, perhaps because the filmmakers are dealing with a child, but also because the members of his blue-collar family -- an extraordinary single dad and sister Krystale, about 10 -- are so open with their feelings.
"Letting Go" also captures the caring hospice workers who aid the Merseal family -- making for poignant and compelling TV.
Pace slackens in the middle, and the filmmakers stick in a short aside with a hospice patient that seems stagy and pointless.
Some expository dialogue appears manufactured for the camera.
But "Letting Go" finds little gems of pure truth -- the look in a mother's eyes, the sorrow of a son, the tears of a physician, the eulogy at Michael's funeral -- that touch the heart.
Tech credits are excellent.
Camera, Maysles; editor, Dickson; sound, L. Mark Sorre; music, Mader. Letting Go" documents death: the death of a child, the death of a spitfire of a woman, the death of a once-hearty man. But it also illustrates the strength of the individuals who face death and of those left to deal with life -- the families, doctors and, especially, the compassionate hospice workers who care for the terminally ill patients featured in this sometimes heart-wrenching, extremely earnest but slowly paced doc. HBO plans to distribute to educators, church groups and hospice orgs.
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