Sketch Artist
((Thriller--Color))
Read other reviews about this film

Jack ... Jeff Fahey
Rayanne ... Sean Young
Milon ... Frank McCrae
Michelle ... Drew Barrymore
Paul Corbeil ... Tcheky Karyo
Tonelli ... James Tolkan
Claire ... Stacey Haiduk
Leese ... Charlotte Lewis
Fahey hits the right notes of nervous intensity and mounting dread in the title role, a scruffy artist newly hired by L.A. police to sketch pictures of suspects based on eyewitness recollections.
After a high-profile fashion designer is slain, Fahey goes to work with a courier (Drew Barrymore) who saw a woman leaving the scene of the crime. Barrymore describes a face that looks an awful lot like that of Fahey's wife, Sean Young, an upwardly mobile interior designer.
Greatly shocked, and anxious to protect his wife, Fahey scraps the sketch and draws an altogether different face.
Things get complicated when a photog (Belle Avery) who looks just like the altered sketch is picked up for questioning. Things get even more complicated when Barrymore is found dead--shortly after a neighbor saw Fahey trying to enter her apartment. Script makes a nod to the Hitchcock tradition when Fahey becomes the subject of a police dragnet as he tries to find the real killer(s). But "Sketch Artist" really is more interested in developing a film noir mood, even though Papamichael wisely resists the temptation to go for obvious noir visuals.
Considerable suspense is generated as Papamichael dangles the possibility that the frantic artist may have killed the courier to protect his wife--even though his wife might very well be guilty of murder.
There are several red herrings, including French thesp Tcheky Karyo as the fashion designer's partner, Stacey Haiduk as a not-so-grieving widow and Charlotte Lewis as a high-priced call girl who knows a lot about the designer's business dealings. But "Sketch Artist" plays fair and keeps the coincidence rate to a minimum.
Even the plot twist that strains credibility most seriously--Fahey somehow manages to draw a real person tied to the case while protecting Young--has a logical explanation: He doesn't consciously recall (but ultimately is reminded) that he glimpsed the departing photog when he first arrived at the crime scene.
Fahey offers an excellent modern-day variation of the classic film noir flawed hero: a hard-drinking, chain-smoking malcontent who can redeem himself only by getting in way, way over his head.
Young is aptly ambiguous as Fahey's wife, while Frank McCrae is amiably bearish as Fahey's best friend on the police force. Barrymore, recently photographed by Papamichael in Katt Shea's "Poison Ivy," makes the most of a small but key role. Other supporting players are first-rate.
Tech credits are fine. Special credit goes to Mark Isham for an evocative musical score that greatly enhances the mood of steadily escalating uneasiness.
Camera (color), Wally Pfoster; editor, Carole Kravetz; music, Mark Isham; production design, Phedon Papamichael Sr. Reviewed at WorldFest/Houston, Apr. 26, 1992. Running time: 88 min.
Variety is striving to present the most thorough review database. To report inaccuracies in review credits, please click here. We do not currently list below-the-line credits, although we hope to include them in the future. Please note we may not respond to every suggestion. Your assistance is appreciated.
















