Posted: Wed., Mar. 10, 1993, 11:00pm PT

Flesh and Blood

((Hudson Theatre, Hollywood; 99 seats, $ 20 top))

By Arlene Schindler

Labhart Production Group, in association with Blumsack/Debreceni/Reilly and the Hudson Theatre, presents a drama in one act by Colin Thomas. Produced by Veronica Claypool, Philip Labhart. Directed by Labhart.

Jim ... Cameron Thor Ralph ... Richard Waterhouse Allan ... Jeff Cahill Sherri Lee ... Bronwen Booth

Outstanding performances, strong dramatic conflict and powerful prose make this skillfully paced production of "Flesh and Blood" an entertaining and educational exploration of homophobia, safe sex and AIDS.

"Flesh and Blood" explores the relationship between homophobic high school student Allan (Jeff Cahill) and his older gay brother, Jim (Cameron Thor). After Allan's "holiday on Quaaludes" he moves in with brother Jim, who becomes a protective father figure.

Both are products of a dysfunctional family with an alcoholic father and a guilt-giving mother, causing the two to escape to a world where sex becomes a symbol of security.

Jim attempts to give lessons on the consequences of promiscuity and tame his brother's reckless sexual behavior, especially since Jim has learned he has AIDS.

Jim's ex, Ralph (Richard Waterhouse), helps him deal with the guilt, denial and secrecy of AIDS in a loving, unconditional manner. This appears to be an idealized relationship, while the dynamic between Allan and his girlfriend Sherri Lee (Bronwen Booth) is abusive.

Canadian playwright Colin Thomas creates complex characters realistically rendered. Though there are brief moments bordering on the cliched, the play contains many moving passages.

The four actors are exceptional. Cahill is notable as the abandoned younger brother coming to terms with his family problems.

Philip Labhart's directing creates a pacing that makes the 18 scenes glide comfortably without an intermission.

Superb musical choices as a thread of serenity and familiarity maintain the energy between scenes.

Set design, Jeff McManus; lighting design, Michael Gilliam; costumes, Roger Meunier; sound, Darryl Polk. Opened Jan. 29, 1993; reviewed March 5; runs through March 20.