Variety's Festivals & Markets
Go
Film FestivalsMarketsCurrent ReportsVariety VisionEditorial CalendarAwardCentral.com - Variety's comprehensive kudo coverage



LATEST NEWS    |    IN-DEPTH FEATURES    |    REVIEWS    |    EVENT SCHEDULE    |    ANNIVERSARIES
Posted: Sun., Jan. 22, 2006, 10:44pm PT

Somebodies

A Kohn/Kohn production. Produced by Pamela and Nathaniel Kohn. Executive producers, William Keys, Ben Fuller, Dale Davis, Skeet Willingham, Lee Epting, Eugene Younts, Michell L. Davis. Directed, written by Hadjii.
 
With: Hadjii, Kaira Whitehead, Tyler Craig, Carlos Davis, Patt Brown, David "Nick" Lewis, IronE Singleton, Nard Holston.
 




More entrepreneurial than artistic, writer-director-star Hadjii's first feature "Somebodies" adds up to little more than a series of uninspired skits untethered to any thematic or narrative substance. Exceedingly mild comedy about African-American college students in Athens, Ga., has some laughs, but character depth, story development and filmic style are all close to nil, and production values just a hair above amateur. Looked on as a university project (Hadjii teaches at U. of Georgia, and most extras look like students), it's OK, but "Somebodies" is awfully trifling stuff for the Dramatic Competition at Sundance. Minor small-screen sales are possible.

Scottie (Hadjii) is studying --what, we never find out -- at college and shares a house with four friends. They party a lot, but after nearly getting arrested for DUI and becoming involved with a born-again nymphomaniac (Kaira Whitehead), Scottie makes reluctant stabs at sobriety and celibacy. Scenes sending up adult-literacy programs, "Scared Straight" prison ones, nerdy white and boisterous black churches, and those featuring the protag's Klumps-like older relations, sport some funny dialogue and OK situations. But perfs tend toward shrill, pic's look is drab -- and "Somebodies" remains stubbornly inconsequential.

Camera (color, HD), Ousama Rawi; editor, Eric O. Schusterman; music, Paul Grabowsky; production designer, Andy Rusk. Reviewed at Sundance Film Festival (competing), Jan. 21, 2006. Running time: 88 MIN.
 


 


Copyright 2009, Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Use of this Website is subject to Terms of Use. Privacy Policy