•  Jeffrey Wells spotlights a hair-raising quote from "No End in Sight" helmer Charles Ferguson in that New York Times doc piece. [Hollywood Elsewhere]

•  Richard Corliss digs into the Academy membership in a slightly different piece on the Oscars. [Time]

•  Sasha Stone previews all the guild commotion this weekend. [Awards Daily]

•  Tom O'Neil wonders whether Entertainment Weekly Oscar voter collective can be trusted. [Gold Derby]

•  David Carr reviews "There Will Be Blood," bubble-wrap style. [The Carpetbagger]

•  Stu VanAirsdale comments on Jane Fonda's C-bomb from last week, worships its usage in "Atonement." [Little Gold Men]

•  Anita Gates writes up Oscar's memories throughout the boob-tube years. [New York Times]

•  Randee Dawn, via slideshow, takes a look at the making of an Oscar -- no, an ACTUAL Oscar, at the R.S. Owens & Company plant in Chicago. [Gold Rush]

•  Todd Leopold asks whether anyone cares about the Oscars. [CNN]

•  In his first post in nearly a month, Ramin Setoodeh responds to the piece. [The Gold Digger]

•  The media, who wanted so desperately to have a story like Diablo Cody to cover, continue to tear the poor woman down because they're bored with their own Frakenstein. [Cinematical]

•  Donna Freydkin sits down with "La Vie en Rose" star Marion Cotillard. [USA Today]

•  According to the local paper, surfers love Best Animated Feature Film nominee "Surf's Up." [Los Angeles Times]

Caryn James of the New York Times writes up Oscar's documentary feature category this week, coming at things from the angle of evolution within what the branch has chosen to recognize since Michael Moore's "Bowling for Columbine" victory.

Here's a look:

This year all five nominees are politically charged, four are about war, and amazingly, only one feels like homework. Spurred by global conflict and by technology that allows filmmakers to turn out movies in months rather than years, these works carry urgent messages. With their pointed arguments, though, this year’s nominees also raise an inescapable question: Can they have any real political impact?

Read the rest.

The Hollywood publicity machine is well-oiled at the start of this week, to be sure.  I count at least four studios with events lined up this evening, and who knows what shin-digs I haven't been invited to today.  We all make our blacklists.

First, there's Picturehouse's celebration of Marion Cotillard, Oscar nominated for "La Vie en Rose," if you're into a poolside gathering at the Chateau Marmont.

If a nuts and bolts dialogue is more your speed, Paramount Vantage has set up the "There Will Be Blood" crew for a screening and Q&A over at the Harmony gold Theater on Sunset.  Film editor Dylan Tichenor, cinematographer Robert Elswit, sound designer Chris Scarabosio, supervising sound editor Matthew Wood, and set decorator Jim Erickson -- nominees all of them -- are expected to attend.

Down the street at Book Soup, screenwriter Christopher Hampton is participating in a book signing of his Oscar-nominated adaptation, "Atonement," while Ariana Huffington will be hosting a screening of Charles Ferguson's "No End In Sight" at the Paley Center for Media out in Beverly Hills, for those really jonsing for a political experience, what with Super Tuesday right around the corner.  Huffington just hosted a similar "No End" event over the weekend at the Hotel Plaza Athenee in New York.

Oh, and Tamara Jenkins was just at Book Soup yesterday reading from her "Savages" screenplay.

All of these events come on the heels of last weekend's spotlight of the below the line nominees from "No Country for Old Men" -- coverage of which I've yet to stumble across, by the way.  Come on.  Somebody was there, right?

Anyway, lots of media exposure for lots of deserving contenders this season.  Some might think no more than usual, but the agression on the part of campaigners and strategists seems to have slid up a notch to me this year.  Lucky us, eh?

•  Derek Peters writes up Saturday's Scripter Awards in house. [Variety]

•  Susan King does the same at the LA Times. [The Envelope]

•  Jeffrey Wells runs a second hand item conveying Julian Schnabel's response to the Sean Young heckling episode.  The eccentric director comes off like the baby face to say the least. [Hollywood Elsewhere]

•  Sasha Stone talks with "No Country for Old Men" and "There Will Be Blood" money man Scott Rudin. [Awards Daily]

•  Vanity Fair lies out the year's Ultimate Badass Awards. [Little Gold Men]

•  Pete Hammond rattles off a Dear Diary of the weekend's evets, including an Angelina Jolie tribute at the Santa Barbara Film Festival and a Sunday Brunch with "Sicko" helmer Michael Moore. [The Envelope]

•  Tom O'Neil catches up to the video packages running on Oscar.com. [Gold Derby]

•  David Poland live blogs the Super Bowl of all things.  And let us take a moment here:  God bless the New York Football Giants. [The Hot Blog]

•  Lou Lumenick responds to the PGA win for "No Country" and the juggernaut status the film has achieved this awards season.  [New York Post]

•  Oh, and by the way, David took out Goliath. [ESPN]

Sean Penn's "Into the Wild" led the BFCA nominations tally today with seven tips of the hat, including nods for Best Director, Best Actor, Best Adapted Screenplay and, of course, a spot in the group's top ten list.

Jason Reitman's "Juno" wasn't far behind with six nods, while "Atonement," "Michael Clayton," "No Country for Old Men" and "Sweeney Todd" each managed five.

The morning's announcement was a huge boost -- nay, a shot in the arm for "Wild," one of a trio of Paramount Vantage hopefuls in this year's race.  Combined with a number of key mentions in yesterday's Chicago Film Critics nominations and the fact that, as far as I can tell, no film has ever solely led the BFCA field and missed out on a Best Picture nomination with the Academy, I'd say the Sean Penn effort is looking better than ever for a slot in the big five come January.

"Juno"'s tally of six was also exactly what Fox Searchlight's comedy hopeful needed to silence nay-sayers regarding its Academy potential.  It's clearly a formiddable contender.

Surprises included Best Actor mentions for Ryan Gosling ("Lars and the Real Girl") and Viggo Mortensen ("Eastern Promises"), as well as supporting actress berths for Catherine Keener in "Into the Wild" (a quiet contender this season) and Vanessa Redgrave in "Atonement" (for all of five minutes of screentime).

Casey Affleck, meanwhile, grabbed some more steam for his supporting portrayal in "The Assassination of Jesse James by the Coward Robert Ford," perhaps on his way to securing the same nod with the Academy.  And Amy Adams finally makes a significant appearance this awards season for her performance in "Enchanted."

A definite nod of note is Cate Blanchett's citation for Best Actress in "Elizabeth: The Golden Age."  It might perhaps be read as Oscar tea leaf reading on the BFCA's part more than anything, given how critically reviled the film was, yet how undeniably Academy friendly the performance might still be perceived.

Finally, six composers were allowed room to wiggle in that category, including the first notices of the season for Marco Beltrami ("3:10 to Yuma"), Clint Eastwood ("Grace is Gone") and Alan Menken ("Enchanted").

The BFCA tends to be the best precursor for predicting the eventual Oscar turn-out, mostly due to a list of ten Best Picture contenders and a willingness to nominate across a wide spectrum of categories.  This year they seem to have spread the wealth evenly enough to have a decent prediction percentage yet again.

The BFCA's ten Best Picture nominees (with vote totals):

"American Gangster" (2)
"Atonement" (5)
"The Diving Bell and the Butterfly" (4)
"Into the Wild" (7)
"Juno" (6)
"The Kite Runner" (2)
"Michael Clayton" (5)
"No Country for Old Men" (5)
"Sweeney Todd" (5)
"There Will Be Blood" (3)

The full list of nominees can be found on the BFCA website.  The awards will be broadcast live on VH1 on Monday, January 7, 2008, LIVE at 9:00 p/m. (e.s.t.).

Erik Childress' "Oscar Eye" column has the full list of Chicago Film Critics nominations mixed in with his tally of who's won what.  You have to kind of pick things out, but the full list is there.

"No Country for Old Men" and "There Will Be Blood" continue to show up, but the group went out of its way to personally champion "Once" in more than a few areas, including Best Picture.

Casey Affleck popped up again for his supporting turn in "The Assassination of Jesse James by the Coward Robert Ford," while Viggo Mortensen found some Best Actor love for his work in David Cronenberg's "Eastern Promises."  Frank Langella also made another appearance in the lead field for "Starting Out in the Evening."

Another key contender showing up in the nominations is "Zodiac," which managed citations for Best Director (david Fincher) and Best Adapted Screenplay.

"Michael Clayton" led the way with seven nominations.  "Blood" wasn't far behind with six.  Nothing for "The Kite Runner" or "Sweeney Todd."

Best Picture
"Into the Wild"
"Michael Clayton"
"No Country for Old Men"
"Once"
"There Will Be Blood"

Best Director
Paul Thomas Anderson, "There Will Be Blood"
Ethan Coen, Joel Coen, "No Country for Old Men"
Tony Gilroy, "Michael Clayton"
David Fincher, "Zodiac"
Jason Reitman, "Juno"

Best Actor
George Clooney, "Michael Clayton"
Daniel Day-Lewis, "There Will Be Blood"
Ryan Gosling, "Lars and the Real Girl"
Frank Langella, "Starting Out in the Evening"
Viggo Mortensen, "Eastern Promises"

Best Actress
Julie Christie, "Away from Her"
Marion Cotillard, "La Vie en Rose"
Angelina Jolie, "A Mighty Heart"
Laura Linney, "The Savages"
Ellen Page, "Juno"

Best Supporting Actor
Casey Affleck, "The Assassination of Jesse James by the Coward Robert Ford"
Javier Bardem, "No Country for Old Men"
Phillip Seymour Hoffman, "Charlie Wilson's War"
Hal Holbrook, "Into the Wild"
Tom Wilkinson, "Michael Clayton"

Best Supporting Actress
Cate Blanchet, "I'm Not There"
Jennifer Jason Leigh, "Margot at the Wedding"
Leslie Mann, "Knocked Up"
Amy Ryan, "Gone Baby Gone"
Tilda Swinton, "Michael Clayton"

Best Adapted Screenplay
"Atonement"
"Into the Wild"
"No Country for Old Men"
"There Will Be Blood"
"Zodiac"

Best Original Screenplay
"Before the Devil Knows You're Dead"
"Juno"
"Michael Clayton"
"Ratatouille"
"The Savages"

Best Cinematography
"The Assassination of Jesse James by the Coward Robert Ford"
"Atonement"
"The Diving Bell and the Butterfly"
"No Country for Old Men"
"There Will Be Blood"

Best Score
"The Assassination of Jesse James by the Coward Robert Ford"
"Atonement"
"Lust, Caution"
"Once"
"There Will Be Blood"

Best Animated Feature
"Beowulf"
"Meet the Robinsons"
"Persepolis"
"Ratatouille"
"The Simpsons Movie"

Best Foreign Film
"4 Months, 3 Weeks and 2 Days"
"The Diving Bell and the Butterfly"
"La Vie en Rose"
"Lust, Caution"
"The Orphanage"

Best Documentary
"Darfur Now"
"The King of Kong: A Fistful of Quarters"
"Lake of Fire"
"No End in Sight"
"Sicko"

Promising Director
Ben Affleck, "Gone Baby Gone"
John Carney, "Once"
Craig Gillespie, "Lars and the Real Girl"
Tony Gilroy, "Michael Clayton"
Sarah Polley, "Away from Her"

Promising Performer
Nikki Blonsky, "Hairspray"
Michael Cera, "Juno"/"Superbad"
Glen Hansard, "Once"
Carice van Houten, "Black Book"
Tang Wei, "Lust, Caution"

The New York Film Critics Circle had absolutely no surprises in store today, handing "No Country for Old Men" four awards, including one for Best Pic.

Daniel Day-Lewis and Robert Elswit represented Paul Thomas Anderson's "There Will Be Blood," which swept the LA critics' awards yesterday, while Julie Christie positioned herself again as the competition for Marion Cotillard in the Best Actress race (where's Ellen Page been this whole time?).  Amy Ryan also continues to scorch the earth as THE supporting actress frontrunner of the year.

"The Diving Bell and the Butterfly" was surprisingly snubbed throughout.  Nothing, also, for Sidney Lumet's "Before the Devil Knows You're Dead," a Gotham film if there ever was one.  The director did, however, pick up a lifetime achievement award.

This weekend's activity and today's awards have put "No Country' and "Blood" at the top of everyone's rontrunner lists for Oscar, two brutal, cold films that are not the Academy pedigree at all.  But perhaps the critics will muscle them into the dance if this continues to be the case, each of them constantly duking it out.  Tomorrow, the Broadcast Film Critics Association announces its list of nominees, always a pretty good indication of where the Academy will ultimately go.

The full list of NYFCC winners:

Best Picture: "No Country for Old Men"
Best Director: Ethan Coen, Joel Coen, "No Country for Old Men"
Best Actor: Daniel Day-Lewis, "There Will Be Blood"
Best Actress: Julie Christie, "Away from Her"
Best Supporting Actor: Javier Bardem, "No Country for Old Men"
Best Supporting Actress: Amy Ryan, "Gone Baby Gone"
Best Screenplay: "No Country for Old Men"
Best Cinematographer: Robert Elswit, "There Will Be Blood"
Best Documentary: "No End in Sight"
Best First Film: Sarah Polley, "Away from Her"
Best Animated Film: "Persepolis"
Best Foreign Film: "The Lives of Others"
Lifetime Achievement Award: Sidney Lumet
Special Critics' Award: Charles Burnett, "Killer of Sheep"

The Envelope grabbed the scoop on the LAFCA winners.

First and foremost, Paul Thomas Anderson's "There Will Be Blood" got a giant kiss and a HUGE Oscar boost from the group, taking down four wins, including Best Picture, Best Director and Best Actor.

There was no love for "No Country for Old Men," which stuns me, frankly.  Not even in the runner-up arenas.  I spoke to a colleague last week who predicted the critics groups might shy away from the film with the NBR tapping it as the best film of the year, but I shrugged that thought off in a hurry.

Anyway, regardless of all of that, this show of solidarity for Anderson's film is significant to say the least.  The film came pretty close to sweeping, grabbing three runner-up mentions in addition to the four wins.

Also, Amy Ryans grabbed her third supporting actress win in as many awards announcements.  Nothing so far for the perceived frontrunner coming into the season, Cate Blanchett in "I'm Not There" (aside from a runner-up mention from the LAFCA).

"The Diving Bell and the Butterfly" looks to have been the group's second-place fave, coming in just behind "Blood" in the Best Picture and Best Director categories.  And as expected, the LAFCA went against the grain (typically willful) by going with Vlad Ivanov's supporting performance in "4 Months, 3 Weeks and 2 Days."  It's a good choice, because Ivanov is so unsettling in the film.

Variety has a write-up.  Here's the full list of winners:

Best Picture: "There Will Be Blood"
(runner-up: "The Diving Bell and the Butterfly")

Best Director: Paul Thomas Anderson, "There Will Be Blood"
(runner-up: Julian Schnabel, "The Diving Bell and the Butterfly")

Best Actor: Daniel Day-Lewis, "There Will Be Blood"
(runner-up: Frank Langella, "Starting Out in the Evening")

Best Actress: Marion Cotillard, "La Vie en Rose"
(runner-up: Anamaria Marinca, "4 Months, 3 Months and 2 Days")

Best Supporting Actor: Vlad Ivanov, "4 Months, 3 Weeks and 2 Days"
(runner-up: Hal Holbrook, "Into the Wild")

Best Supporting Actress: Amy Ryan, "Gone Baby Gone" and "Before the Devil Knows You're Dead"
(runner-up: Cate Blanchet, "I'm Not There")

Best Screenplay: Tamara Jenkins, "The Savages"
(runner-up: Paul Thomas Anderson, "There Will Be Blood")

Best Animation: (tie -- boooo) "Persepolis"/"Ratatouille"

Best Foreign Language Film: "4 Months, 3 Weeks and 2 Days"
(runner-up: "The Diving Bell and the Butterfly")

Best Documentary/Non-fiction Film: "No End in Sight"
(runner-up: "Sicko")

Best Production Design: Jack Fisk, "There Will Be Blood"
(runner-up: Dante Ferretti, "Sweeney Todd")

Best Music: Glen Hansard and Marketa Irglova, "Once"
(runner-up: Jonny Greenwood, "There Will Be Blood")

Best Cinematography: Janusz Kaminski, "The Diving Bell and the Butterfly"
(runner-up: Robert Elswit, "There Will Be Blood")

Best Douglas Edwards Indie Award: "Colossal Youth" directed by Pedro Costa 

Best Career Achievement: Sidney Lumet

The Boston Society of Film Critics voted on their list of winners this afternoon.  Beginning what is likely to be a critics' group stampede, the Coen brothers' "No Country for Old Men" won Best Picture of the year.  It was one of two wins for the film.  Julian Schnabel's "The Diving Bell and the Butterfly" won three, including Best Director.

Frank Langella picked up some needed steam as the group's Best Actor choice.  Every lead actor winner from the group has gone on to an Oscar nomination since 2000's choice of Colin Farrell in "Tigerland" (unless you count Brian Cox for "L.I.E." in 2001, though he tied with Denzel Washington in "Training Day."

Marion Cotillard grabbed her first significant lead actress win of the season.  The last winner in that category to miss with Oscar was Scarlett Johansson for Sofia Coppola's "Lost in Translation" four years ago.

Ultimately this isn't a necessarily great predictive precursor across the board unless a consensus has formed (like with last year's lead races).  They're Best Picture winners over the last couple of years have gone on to notices at the Academy, but there was also a stretch where "Trainspotting," "Out of Sight," "Almost Famous" and "Mulholland Dr." took down the big win.  None of them managed Best Picture nominations with the Academy.

Basically...perspective is key.  Nothing will truly be of consequence until the guilds start to speak up.  But this is no doubt the beginning of an impressive run of precursor awards for the Coen brothers film.

Variety has a BSFC write-up.  Stay tuned later today for the LAFCA announcement.

BSFC Winners:

Best Picture: "No Country for Old Men"
Best Director: Julian Schnabel, "The Diving Bell and the Butterfly"
Best Actor: Frank Langella, "Starting Out in the Evening"
Best Actress: Marion Cotillard, "La Vie en Rose"
Best Supporting Actor: Javier Bardem, "No Country for Old Men"
Best Supporting Actress: Amy Ryan, "Gone Baby Gone"
Best Screenplay: "Ratatouille"
Best Cinematography: Janusz Kaminski, "The Diving Bell and the Butterfly"
Best Documentary: "Crazy Love"
Best Foereign-Language Film: "The Diving Bell and the Butterfly"
Best New Filmmaker: Ben Affleck, "Gone Baby Gone"
Best Ensemble Cast: "Before the Devil Knows You're Dead"

The New York-based National Board of Review has announced its list of award winners for the year, kick-starting the precursor circuit on the march through the 2007 film awards season.

The Coen brothers' "No Country for Old Men" took the Best Picture prize, leading a top ten list that included somewhat surprising mentions for "The Bourne Ultimatum" and "The Bucket List."

George Clooney won the Best Actor award for his performance in Tony Gilroy's "Michael Clayton," while Julie Christie took down Best Actress for her portrayal in Sarah Polley's "Away from Her."

Casey Affleck ("The Assassination of Jesse James by the Coward Robert Ford") and Amy Ryan ("Gone Baby Gone") won in the supporting categories, while Tim Burton was named Best Director for "Sweeney Todd."

The last NBR Best Picture winner to miss a nomination from the Academy was "Quills" in 2000, and "Gods and Monsters" before that in 1998.  With "Charlie Wilson's War" coming up short (though some would argue this point), the film looks better for placement with AMPAS now than it did when it only had critics championing the cause.  Oh the give and take of Oscar season.

Winners from the press release:

Best Film: "No Country for Old Men"
Best Director: Tim Burton, "Sweeney Todd"
Best Actor: George Clooney, "Michael Clayton"
Best Actress: Julie Christie, "Away from Her"
Best Supporting Actor: Casey Affleck, "The Assassination of Jesse James by the Coward Robert Ford"
Best Supporting Actress: Amy Ryan, "Gone Baby Gone"
Best Foreign Film: "The Diving Bell and the Butterfly"
Best Documentary: "Body of War"
Best Animated Feature: "Ratatouille"
Best Ensemble Cast: "No Country for Old Men"
Breakthrough Performance by an Actor: Emile Hirsch, "Into the Wild"
Breakthrough Performance by an Actress: Ellen Page, "Juno"
Best Directorial Debut: Ben Affleck, "Gone Baby Gone"
Best Original Screenplay (tie): Diablo Cody, "Juno" and Nancy Oliver, "Lars and the Real Girl"
Best Adapted Screenplay: Joel Coen and Ethan Coen, "No Country for Old Men"

The top ten (in alphabetical order):
"The Assassination of Jesse James by the Coward Robert Ford"
"Atonement"
"The Bourne Ultimatum"
"The Bucket List"
"Into the Wild"
"Juno"
"The Kite Runner"
"Lars and the Real Girl"
"Michael Clayton"
"Sweeney Todd"

Top five foreign films (in alphabetical order):
"4 Months, 3 Weeks & 2 Days"
"The Band's Visit"
"The Counterfeiters"
"La Vie en Rose"
"Lust, Caution"

Top five documentary films (in alphabetical order):
"Darfur Now"
"In the Shadow of the Moon"
"Nanking"
"Taxi to the Darkside"
"Toots"

Top independent films (in alphabetical order):
"Away from Her"
"Great World of Sound"
"Honeydripper"
"In the Valley of Elah"
"A Mighty Heart"
"The Namesake"
"Once"
"The Savages"
"Starting Out in the Evening"
"Waitress"

Career Achievement: Michael Douglas
William K. Everson Film History Award: Robert Osbourne
Career Achievement in Cinematography: Roger Deakins
The BVLGARI Award for NPR Freedom of Expression: "The Great Debaters" and "Persepolis"

Variety has a couple of stories up in anticipation of next month's Golden Globes cermony.  (Already?  Seriously?  It's December???)

First, Ted Johnson ponders the possibility of acceptance speeches leaning the way of politics in an election year.

Carole Horst, meanwhile, talks up the rejuvenation of the musical genre, in its many new and unique forms.

And in a really interesting article (when it comes to trend pieces), Jon Weisman points out pregnancy as a mainstay in awards contenders this year, citing "Juno," "Knocked Up," "A Mighty Heart" and "Waitress."

Weisman's piece, for the most part, leans toward the comedic examples, but there is also the Romanian abortion film "4 Months, 3 Weeks & 2 Days" and Tony Kaye's documentary on the same subject, "Lake of Fire."  Weird how these things happen.

I probably wouldn't pass this along if it wasn't such a slow morning, but there's a commenter over at In Contention -- goes by the handle "Aguirre" -- who seems to have this insight or that regarding Wednesday's National Board of Review announcement.  Could just be some dude, of course, but I'll give the space to Aguirre.  Here's what he has to say:

"Ellen Page will win the award for breakthrough...I know for certain that Page's only competition is Amy Adams...

"For reasons unbeknownst to me, the NBR is considering 'Persepolis' only in the animated category at the moment...a clerical error that I don't believe they'll address by the time they vote...

"The Phil Donahue doc[umentary] and 'No End in Sight' are the only docs that have a chance with them...

"Marian Cotilliard [sic] will win...

"'The Kite Runner' will win best picture...the members formed more of a consensus on [that film] and the acting in 'Jesse James' than anything else all year...

"Sorry for all the input, but it's not often i can write about these senseless year-end shenanigans with any confidence."

Indeed, that's a lot of input.  Take it with a grain of salt for now, but we'll know in two days if Aguirre was on the money or not.

•  Yours truly takes a look at "The Great Debaters." [In Contention]

•  Anne Thompson offers some hard Oscar knocks for "Into the Wild," "Zodiac," indicates potential awards greatness for "Enchanted." [Thompson on Hollywood]

•  T.L. Stanley wonders if "August Rush" could be this year's "Mr. Holland's Opus." [Gold Rush]

•  The Envelope continues to give more and more tech category consideration due, one would assume, to Sheigh Crabtree's spirited efforts...bravo.  Today, Patrick "I hate Oscar bloggers" Goldstein talks to Harris Savides, largely about "American Gangster."  [The Envelope]

•  Meanwhile, Elizabeth Snead talks to Alexandra Byrne about the one nomination you can put money on for "Elizabeth: The Golden Age": Best Costume Design. [The Envelope]

•  Mark Olsen chats it up with Todd Haynes re: "I'm Not There." [The Envelope]

•  Choire Sicha has a profile of "Diving Bell" star Emmanuelle Seigner. [Los Angeles Times]

•  According to the AP, a judge argues against the sale of two Mark Pickford Oscars in Los Angeles county. [Variety]

•  Tom O'Neil updates us on what films guild and Academy members have recieved, though he leaves off the Focus titles (which shipped this week). [Gold Derby]

•  Jeffrey Wells thinks Time magazine has "damned" the Oscar chances of "Charlie Wilson's War" by talking about the film with a light and whimsical syntax. [Hollywood Elsewhere]

•  Lou Lumenick responds to the documentary feature shortlist. [New York Post]

•  Documentary director A.J. Schnack does the same...in fact, he's a little pissed, to be quite honest. [All These Wonderful Things, indieWIRE]

•  Ryan C. Adams takes us back to "Waitress." [Awards Daily]

A lot of outlets have been on the case this weekend, indieWIRE among them, so I'm not sure who scooped the shortlist for Best Documentary Feature first.  But I first saw it over at Awards Daily, so that's where I'll attribute it for now.  But I do see Peter Knegt has a piece up, so who knows where the scoop lies?

Anyway, here's the list of 15:

"Autism: The Musical"
"Body of War"
"For the Bible Tells Me So"
"Lake of Fire"
"Nanking"
"No End in Sight"
"Operation Homecoming: Writing the Wartime Experience"
"Please Vote for Me"
"The Price of Sugar"
"A Promise to the Dead: The Exile Journey of Ariel Dorfman"
"The Rape of Europa"
"Sicko"
"Taxi to the Dark Side"
"War/Dance"
"White Light/Black Rain"

ThinkFilm's "In the Shadow of the Moon" was left off the list.  It's a great little film, but I suppose it is, after all, the "talking head" brand of documentary cinema that the branch doesn't often go for.

•  Anne Thompson sticks it to the Academy screening committe for not giving the little guys a chance -- namely, "Lars and the Real Girl." [Thompson on Hollywood]

•  indieWIRE tracks the buzz on documentary feature eigibility. [indieWIRE]

•  David Poland follows suit. [The Hot Blog]

•  And Sasha Stone, too. [Awards Daily]

•  Claiming that "The Bucket List," "Charlie Wilson's War" and "Sweeney Todd" are looking "hazy" as Best Picture contenders, Jeffrey Wells thinks "The Great Debaters" is the season's last major hope. [Hollywood Elsewhere]

•  Nathaniel Rogers has more insights into last week's Tim Burton event in New York. [The Film Experience]

•  Tom O'Neil spins his wheels about the Oscar chances of "Margot at the Wedding." [Gold Derby]

•  Ramon Setoodeh is still taking credit for a prediction that a) wasn't that unpopular when he made it; and b) hasn't exactly come to fruition yet, given that we're over two months away from nominations. [The Gold Digger]

•  New York Magazine calls it a "great week for 'Diving Bell'" in it's latest weekly recap. [Vulture]

•  Lou Lumenick chimes in with thoughts on the online "Sweeney Todd" events of the week. [New York Post]

•  Randee Dawn talks to Noah Baumbach about "Margot at the Wedding." [The Hollywood Reporter]