Oscar Blog

The Golden Compass

February 17, 2008

'Blood,' 'No Country' and 'Compass' win big at ADG Awards

Well, fresh off of winningat the Cinema Audio Society this evening, it seems "No Country for Old Men" also won in the contemporary category at the Art Directors Guild Awards.  The only guild award the film has conceded to another pic thus far is the ASC trophy, which went to Robert Elswit and "There Will Be Blood."

Speaking of "Blood," Jack Fisk and company won in the period category, perhaps on the way to doing the same at the Oscars, while "The Golden Compass" won in the fantasy category.

Variety reports.


February 2, 2008

THE NOMINEES: 'The Golden Compass'



Art Direction
  Dennis Gassner (Art Direction); Anna Pinnock (Set Decoration)
Visual Effects  Michael Fink, Bill Westenhofer, Ben Morris and Trevor Wood

January 11, 2008

The Art Directors Guild announces...

This is a guild that nominates 15 films in three categories, so it's a little difficult to judge how they may or may not translate in the actual Art Directio category (beyond knowing that contemporary films are almost always left out of the mix).  But it is certainly beneficial to see which films have clear insustry support.

The usual suspects are here: "Michael Clayton," "No Country for Old Men," "There Will Be Blood."  No "Juno" or "Into the Wild," but neither film showcases this craft.  However, with that in mind, "The Bourne Ultimatum" continues a stealthy trek through the guild precursor circuit by showing up in the contemporary category today.

"Atonement" gets its first guild mentions since the ASC mention at the beginning of the week (and what a long week it must have seemed to the Focus camp in that regard).  "American Gangster" also found its first industry love since two SAG nominations last month.

Finally, it has to be encouraging for Miramax to have "The Diving Bell and the Butterfly" surprisingly pop up in the contemporary field.  As it continues to make a case for a Best Picture nomination, these guild citations only fuel the cause.

Here are the nominees:

PERIOD FILM:

"American Gangster" (Arthur Max)
"Atonement" (Sarah Greenwood)
"Elizabeth: The Golden Age" (Guy Hendrix Dyas)
"Sweeney Todd: The Demon Barber of Fleet Street" (Dante Ferretti)
"There Will Be Blood" (Jack Fisk)

FANTASY FILM:

"The Golden Compass" (Dennis Gassner)
"Harry Potter and the Order of the Phoenix" (Stuart Craig)
"Pirates of the Caribbean: At World's End" (Rick Heinrichs)
"Ratatouille" (Harley Jessup)
"300" (James Bissell)

CONTEMPORARY FILM:

"The Bourne Ultimatum" (Peter Wenham)
"The Diving Bell and the Butterfly" (Michel Eric and Laurent Ott)
"The Kite Runner" (Carlos Conti)
"Michael Clayton" (Kevin Thompson)
"No Country for Old Men" (Jess Gonchor)


January 7, 2008

'Pirates' leads the way with VES

(Post edited with correct attribution.  I got so used to seeing McNary's by-line on breaking news this week that I gave him this one, too.  Oops!)

Variety's David S. Cohen has the scoop on the Visual Effects Society nominations, which were dominated by "Pirates of the Caribbean: At World's End."  The third installment in the trilogy took down six nods, while "Transformers" and "I Am Legend" weren't far behind with five.

"I Am Legend?"  Really?  For video game villains?

Anyway, those three vote hogs are each competing with "The Golden Compass" and "Spider-Man 3" in the Society's top award category, Best Visual Effects in a Visual Effects Driven Motion Picture.

Other nominations of interest included "Zodiac" finding room in the Best Supporting Visual Effects in a Motion Picture category.  Well deserved.  If you've ever investigated the work that went into recreating the era, you'd agree.  The film received one other nomination, for Best Created Environment in a Live Action Motion Picture (where "Sweeney Todd" surprisingly finds its only mention).

The biggest surprise might be the fact that AMPAS visual effects bake-off contender "300" managed only one nomination, for Best Single Visual Effect, while other bake-off contenders "The Bourne Ultimatum" and "Evan Almighty" turned up a goose egg.

Here are the full nominees.

December 21, 2007

12/21 Oscarweb Round-up

•  "There Will Be Blood" and "Zodiac" top a critics poll of the year's best. [indieWIRE]

•  Gerard Kennedy surveys the top contenders for Best Original Song. [In Contention]

•  Award Central begins its Golden Globes countdown in the Features department. [Variety]

•  Pete Hammond weighs in on SAG and the blows felt by "Atonement" and "Sweeney Todd" yesterday. [The Envelope]

•  But Tom O'Neil makes sure it's clear that the winner of Best Cast doesn't always forecast the winner of Best Picture. [Gold Derby]

•  And David Poland is bored with the announcement, as usual. [The Hot Blog]

•  Sasha Stone has a comparison chart for contending performances this Oscar season across three awards-giving bodies. [Awards Daily]

•  Gurus 2.0 go on the record again, pre-SAG, having hastily knocked "Into the Wild" down far too many pegs in response to the HFPA near shut-out. [Movie City News]

•  Nathaniel Rogers can't get "Sweeney" tunes out of his head. [The Film Experience]

•  Hank Rosenfeld draws out the similarities between Nicole Kidman's evil Ms. Coulter ("The Golden Compass") and conservative nut-job Ann Coulter. [Los Angeles Times]

•  Scott Bowles gets in some quality time with Daniel Day-Lewis. [USA Today]

•  And a final list of awards designations before the holiday, courtesy of yours truly. [In Contention]

December 16, 2007

AMPAS designates 15 films for Best Visual Effects

Variety has the story.  The 15 films eligible for January's bake-off are:

"Beowulf"
"The Bourne Ultimatum"
"Evan Almighty"
"The Golden Compass"
"Harry Potter And The Order Of The Phoenix"
"I Am Legend"
"Live Free Or Die Hard"
"National Treasure: Book Of Secrets"
"Pirates Of The Caribbean: At World's End"
"Ratatouille"
"Spider-Man 3"
"Sunshine"
"300"
"Transformers" 
"The Water Horse"

I have to say, I'm somewhat surprised that "Sweeney Todd" didn't at least make this initial list of 15.

Anyway, I've been getting a weird feeling lately that "The Water Horse" could pop up and surprise as the third nominee in this category.  Everyone pretty much concedes that "Transformers" is in (and likely the eventual winner), while some think sequel fatigue could hurt "Pirates" or "Spider-Man 3."  But surely one of those will get in, right?

I'm thinking the third might come down to "The Golden Compass," "Live free or Die Hard" or "The Water Horse," judging from the branch's typicalities.  Though "300" slipping in certainly wouldn't surprise.

Hey, maybe those seven will be next week's bake-off finalists.


December 7, 2007

12/7 Oscarweb Round-up

•  Anne Thompson talks up the Oscar prospects of "Juno" as the film opens to rave reviews. [Thompson on Hollywood]

•  Paula Schwartz chats up producer Richard D. Zanuck re: "Sweeney Todd." [The Carpetbagger]

•  Pete Hammond recounts the week's Oscar events and talks up the precursors to come.  [The Envelope]

•  Tom O'Neil runs an Oscar-to-NBR comparison piece. [Gold Derby]

•  Jeffrey Wells, a stickler for getting theatrical presentation right, is none too pleased with the way a "Sweeney Todd" screening went down at a Loews theater in Boston this week. (Yeah, slow news day.) [Hollywood Elsewhere]

•  David Poland sits down with John Turturro (in an on-going routine that is now apparently "presented by 'The Golden Compass.'") [Movie City News]

•  New York Magazine offers up the "10 Most Anti-Christian Movies of All Time" amidst "Golden Compass" controversy. [Culture Vulture]

December 4, 2007

12/4 Oscarweb Round-up

•  Gregg Kilday catches up with the notion that voters might cling to something up-beat in the midst of 2007's downer slate.  Ya think? [The Hollywood Reporter]

•  Anthony Breznican talks to Best Actor hopeful John Cusack about the failure of war films this year and his role in the upcoming "Grace is Gone." [USA Today]

•  David Halbfinger reports that "'The Kite Runner' boys are safely out of Kabul." [New York Times]

•  Who says the "Atonement" campaign is quiet?  Mark Salisbury talks to star James McAvoy. [Los Angeles Times]

•  So does Tom O'Neil. [Gold Derby]

•  Ramin Setoodeh, meanwhile, chats with Keira Knightly. [The Gold Digger]

•  And Sasha Stone counts herself a fan, says the tables are finally turned with a man being "the object of lust and desire."  Easy, now... [Awards Daily]

•  David Carr attends the New York premiere of "The Golden Compass." [The Carpetbagger]

•  David Poland reviews "Sweeney Todd" again. [Movie City News]

•  Nathaniel Rogers sits down with the great Max von Sydow, who's working it hard for "The Diving Bell and the Butterfly." [The Film Experience]

•  New York Magazine points out dire box office potential found in Variety's recent revelations. [Vulture]

•  Peter Knegt smacks down a recent Hollywood Reporter story announcing the year of the independents. [indieWIRE]

•  Lou Lumenick rocks out a list of the year's 25 best.  Whatever happened to top TEN lists? [New York Post]

•  Scott Feinberg talks to "La Vie en Rose" star Marion Cotillard. [And the Winner Is...]

November 29, 2007

11/29 Oscarweb Round-up

•  Michael Cieply on the "ghettoized" Animated Feature category and the Best Picture hopes of "Ratatouille." [New York Times]

•  David Carr responds, then gets into Manohla Dargis' review of "The Savages." [The Carpetbagger]

•  Tom O'Neil calls New York's Gotham Awards a "fiasco." [Gold Derby]

•  Jeffrey Wells is a fan of the new trailer for "There Will Be Blood," which left another audience in stunned silence last night at the DGA. [Hollywood Elsewhere]

•  Brian Kinsley thinks Amy Adams may have won Best Actress when "Enchanted" opened to stellar business and reviews over the holiday weekend. [In Contention]

•  Yours truly isn't as convinced as Martin Grove on Frank Langella and Christopher Plummer. [In Contention]

•  Ramin Satoodeh recaps the Gotham Awards. [The Gold Digger]

•  After nearly a month's absence from his New York Magazine blog, David Edelstein finally makes a post -- this one's about polarized reviews of "I'm Not There." [The Projectionist]

•  In the wake of "Charlie Wilson's War" coming up short of expectations, more people come out of the woodwork to proclaim they "saw this coming." [indieWIRE]

•  Ryan C. Adams digs into the first UK reviews of "The Golden Compass." [Awards Daily]

November 27, 2007

11/27 Oscarweb Round-up

•  Variety begins coverage of the Gotham Awards. [Variety]

•  David Poland offers his mea culpa regarding yesterday's Cate Blanchett category slip-and-slide...he was "played." [The Hot Blog]

•  Tom O'Neil sees "Charlie Wilson's War." [Gold Derby]

•  Ditto yours truly... [In Contention]

•  ...and Jeffrey Wells... [Hollywood Elsewhere]

•  ...and Poland. [Movie City News]

•  Todd Martens on the addition of Kate Bush's "Lyra" from "The Golden Compass" to the Best Original Song race. [Extended Play]

•  Noah Forrest offers some casual thoughts on Oscar. [Movie City News]

•  Scott Feinberg talks to "Waitress" star Keri Russell. [And the Winner Is...]

November 26, 2007

New Line launches its FYC site

Three titles are listed.  Give it a look.

I was directed to the site via Hollywood Elsewhere, where Jeffrey Wells ponders the exclusion of "Rendition" from the line-up.

November 20, 2007

Prognosticators' consensus?

I thought I'd waste a few brain cells this morning and dig through all these prognosticative charts to see what the consensus is amongst those of us crazy enough to go on the record with predictions months out from the Oscar ceremony.

For those unaware, there is the Buzzmeter at The Envelope, a group comprised of 21 critics, columnists and awards analysts; the Gurus o' Gold at Movie City News, a smaller group of 14 similar types (with some Buzzmeter overlap); Gurus 2.0, also at Movie City News, a collective of 15 self-starting webmasters and contributors from some other sanctioned outlets not typically considered for their Oscar coverage; and newly formed, the Sultans of Bling at Awards Daily, a unique group comprised of 22 "civilians," if you will, individuals without outlets or platforms beyond comments sections in this site or that (save AW contributors Ryan C. Adams and Sasha Stone).

If you're not tongue-tied yet, I'll continue.

Three of the groups use a ranking system of 10 for their panelists.  A #1 choice gets a score of 10, a #2 a score of 9, etc.  The only group that uses a five-list system is the Buzzmeter, which obviously gives that collective less opportunity to add other titles to the ring beyond their respective top fives.  One might expect, therefore, a lesser amount of films to be represented by the Buzzmeter.  They list 16, but the Gurus o' Gold list a total of 17 films, with each panelist having the opportunity to list up to ten films.  But to be fair, the Buzzmeter also has seven extra members, so it's kind of a give and take.

I tallied up the scores from each of the films predicted for Best Picture today and came to some interesting findings.  First and foremost, "Into the Wild" gets a huge boost (landing in the #6 spot) by being a clear favorite for two groups, Gurus 2.0 and the Sultans.  The main Gurus and the Buzzmeter, however, have the film listed at #12 and #10 respectively.

Many films, of course, are listed across all four groups, but the Sultans, for instance, are the only group to include "The Assassination of Jesse James by the Coward Robert Ford," "Beowulf," "Control," "The Golden Compass," "I'm Not There," "Lars and the Real Girl," "Ratatouille," "Rescue Dawn" and "We Own the Night."  Of those nine, I don't think it is out of bounds to say at least six have no shot at Best Picture contention, but the unique flavor is certainly welcome.

The Sultans, also, join Gurus 2.0 as the only groups to include "Zodiac" in their lists, while the latter is the only collective to feature "In the Valley of Elah" and "Things We Lost in the Fire."  The main Gurus group, meanwhile, is the only group to list "The Savages."

31 films are represented in total, while the Buzzmeter's 16 are the only ones shared across the board.

Now, let's get to the consensus chart.  Here's the full, ranked list of 31 films predicted for Best Picture by the four prognosticative groups out there on the Oscarweb:

01. "Atonement" (482)
02. "No Country for Old Men" (472)
03. "There Will Be Blood" (248)
04. "American Gangster "(231)
05. "The Kite Runner" (223)
06. "Into the Wild" (188)
07. "Charlie Wilson’s War" (173)
08. "Sweeney Todd" (170)
09. "Michael Clayton" (167)
10. "Juno" (144)
11. "Before the Devil Knows You’re Dead" (114)
12. "The Diving Bell and the Butterfly" (84)
13. "3:10 to Yuma"(56)
14. "Once" (47)
15. "Zodiac" (34)
16. "Eastern Promises" (16)
17. "Hairspray" (13)
18. "The Assassination of Jesse James by the Coward Robert Ford" (12)
19. "In the Valley of Elah" (12)
20. "I’m Not There" (11)
21. "Ratatouille" (7)
22. "Rescue Dawn" (7)
23. "The Savages" (7)
24. "Elizabeth: The Golden Age" (6)
25. "Gone Baby Gone" (3)
26. "Control" (3)
27. "Things We Lost in the Fire" (2)
28. "The Golden Compass" (2)
29. "Lars and the Real Girl" (2)
30. "We Own the Night" (1)
31. "Beowulf" (1)
Obviously -- and as if this wasn't clear to begin with -- "Atonement" is the frontrunner for a nomination in this year's Best Picture race, if we're to go by what these collectives have to say.  This seems to have been the case ever since the Venice bow of the film back in September.

Meanwhile, "No Country for Old Men" and "There Will Be Blood" follow right behind, two films that, interestingly enough, are beginning to split some inside and outside of these groups regarding Oscar potential.

Universal's "American Gangster" has seemingly become the prognosticators' film of choice from that studio, while murmurs of "Charlie Wilson's War" being considered a comedy continue to cycle through, amongst other concerns.

"The Kite Runner," clearly an Oscar-bait contender, rounds it out in a list that I truly think will change substantially over the next couple of months.  We'll keep an eye out, but one thing is for sure -- we aren't short on Oscar predictions and opinions this season.

November 7, 2007

11/7 Oscarweb Round-up

•  "American Gangster" draws heat and accusations of drifting a bit too far from the truth from the real Richie Roberts. [New York Post]

•  Lou Lumenick talks about it in his blog. [New York Post]

•  Tom O'Neil responds to all. [Gold Derby]

•  And Jeffrey Wells takes the wrong-headed approach. [Hollywood Elsewhere]

•  O'Neil also stirs the waters of a potential smear campaign to come, yet AGAIN pulling out the old "A Beautiful Mind" scenario from 2001. [Gold Derby]

•  Lots of action at The Envelope, as Paul Lieberman talks to Nicole Kidman about "Margot at the Wedding." [The Envelope]

•  Mark Olsen, meanwhile, dishes "Gone Baby Gone" with supporting actress hopeful Amy Ryan. [The Envelope]

•  Susan King has a chat with harm-warming favorite Hal Holbrook. [The Envelope]

•  And Elizabeth Snead discusses the threads of "The Golden Compass" with veteran costume designer Ruth Myers. [The Envelope]

•  Anne Thompson responds to yesterday's Gurus o' Gold director and screenplay predictions. [Thomspon on Hollywood]

•  Admitted Jonny Greenwood fan Ryan C. Adams gets into Entertainment Weekly's holiday preview tid-bit on the score of "There Will Be Blood," with a couple of other interesting insights. [Awards Daily]

•  A far cry from "A Mighty Heart," Angie talks macabre delights and "Beowulf" with William Keck. [USA Today]

•  Old news, but Steve Daly -- one of the chosen ones who has seen "Sweeney Todd" -- talks the bloddy musical up and down in a cover story. [Entertainment Weekly]

•  Karen Valby has a Diablo Cody profile. [Entertainment Weekly]

•  Eugene Hernandez launches his "Awards Watch" articles... [indieWIRE]

•  ...and offers his first set of predictions at his blog, "Eugonline." [indieWIRE]

•  Peter Knegt does same at "The Lost Boy." [indieWIRE]

•  "But seriously, folks"...amidst all the awards chatter, Variety launches a new blog dedicated to WGA strike talk and coverage. [Scribe Vibe]


About

About

Kristopher TapleyRed Carpet District is Variety contributor Kristopher Tapley's attempt at making sense of the ever-expanding glut of film awards coverage. He's been on the beat for six years. Email Kristopher Tapley

80th Academy Award Contenders

Jan. 28 - AMPAS - final ballots mailed
Jan. 28 - MPSE - final ballots distributed
Jan. 30 - ASIFA Annie Awards
Jan. 30 - DGA - feature film final ballots due
Jan. 30 - VES - online viewing & voting begins
Jan. 31 - DGA Awards
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