The Circuit

Anne Thompson was at "The Changeling"

It was wall-to-wall critics at the official black tie dinner at the Palme d'Or, with round tables and name cards; each table was named after one of Eastwood's movies.

Rebounding from his last Cannes experience with the nastily reviewed The Da Vinci Code, producer Brian Grazer, who had the sense to send the script based on a real 1928 story to Eastwood, admitted that there were several points-of-view on the film's title.