October
23Clint Eastwood's Permanent Learning Curve
Spending time with Clint Eastwood the other day, I had the opposite response. Thinking back over my various encounters with him over four decades, I was impressed how deeply he had changed. And for the better.
The cowboy Clint of years ago was a tough kid, a steelworker’s son who had achieved stardom via an unorthodox route (spaghetti westerns) and who couldn’t quite believe it. He was a good guy, but not an especially serious one. He talked a lot about movies and about women and was a rock-solid Republican. He was in the game for all he could get.
The Clint circa 2008 – at age 78 – is famously soft-spoken, impeccably gracious and totally committed to his craft of filmmaking. His choice of subject matter is eclectic to say the least: He’s about to tackle a film dealing with the life of Nelson Mandela starring Morgan Freeman. He just finished directing and acting in a film about racial prejudice in a small town (“Gran Torino”). “Changeling,” his film which is about to open, explores the crypto-Fascist behavior of the Los Angeles Police Department in the late 1920s, when anyone who dared protest the system was slapped into the loony bin.
Clint is not looking for the next tentpole. He wants to make serious movies about serious topics, even if that means short shooting schedules and reduced paydays. He reads incessantly, searching for the next strong story. He admires the work of John Ford and Howard Hawks who, unlike many contemporary filmmakers, regularly turned out back-to-back films, two or three a year. His inquiring mind more resembles that of a gentle novelist rather than a make-my-day movie star.
But Clint, of course, remains a big star who has figured out how to use his clout to gain creative freedom. He is still a dedicated iconoclast and libertarian. But each film represents for him the opportunity to expand his horizons and understanding, and he effectively conveys that experience to his loyal filmgoers.
Clint Eastwood keeps learning, and we all benefit.

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I have writena book, Eastwood: Evolution of a Filmmaker, published by Greenwood, for release in December that explores your very comments, the manner in which Eastwood has become a great director -- your esay tells me I am not alone in my thinking...thanks. Will send to you a copy.
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