« Picking a Veep: A Dismal Recor | Main | No Recession for Superstar Pay... »

August
11
The John Edwards Affair = Problems in the Playpen

The John Edwards affair underscores an ominous question: Is hanky panky a thing of the past?

Washington, like Hollywood, has always staked out its own special playpen, sealed off from media scrutiny. Indeed, they’ve often played together (who was it who said that “politics is just Hollywood for ugly people?”)

Jack Kennedy had his friends in Hollywood who saw to it that his evenings were happily occupied. Even Henry Kissinger, during his moment of stardom, had showbiz pals who made sure that he was never bored in town. John McCain also has celebrity friends in Hollywood, but I can’t verify whether their interaction was ever as lively.

During the Kennedy era, there was an unwritten code that the media never wrote about the boys and their toys. With an occasional exception, the code also covered the major stars.

But now what passes for “the media” has been fragmented into warring factions of bloggers, supermarket tabloids, TV gossip mongers and assorted mischief-makers and there’s no code anymore.

Indeed, some of the editors of the New York Times are flagellating themselves for failing to pick up on the Edwards story. “I’m not going to recycle a supermarket tabloids anonymously sourced story,” huffed Bill Keller, the executive editor. But Clark Hoyt, the Times public editor, wrote Sunday that, “I think it was a mistake for the Times editors to turn up their noses and not pursue it.”

The problem is that every once in a while one of the tabloid stories is correct while others are simply bizarre. The tabs have been declaring for weeks that President Bush and his wife will split up post election, that Laura is even trying to buy a house for herself. The upmarket press has not followed up on this story.

Some folks have taken the moral high ground on all this and said that publication of the Edwards scandal is actually healthy. We must hold our leaders to a higher standard, they argue, and the press must lead the charge.

I acknowledge the logic of this position, but it still gives me a chill. Power, after all, is the ultimate aphrodisiac. Which leaders in the history of the world have led a totally pure, monastic existence?

So maybe the appropriate message is: Be careful, boys. And, for god’s sake, if you’re caught, own up to it.

Whether it’s Bubba or Edwards, pious denials are getting old.

Comments

Peter seems to be saying character is irrelevant. So Hollywood, wouldn't you say?

Dear Dan Zee: I seem to recall that there was plenty in the news about Clinton's infidelities and he won the election anyway. What should the media have reported then that they didn't? Also, back in 1992, after the spate of stories about Clinton's affairs there were plenty of rumors that George H.W. Bush had a mistress. Those rumors even found there way into print, I believe, but they were not picked up by what is now called the mainstream media. They let that story alone for the same reason they waited on the Edwards story: not enough sourcing. (The rumor was that Papa Bush's mistress was a state dept. employee and she'd been posted overseas to put her out of reach of reporters.) Personally, I'm glad they handled it that way.

As for the idea of finding "decent people" to run for office, I think if you run through the list of U.S. Presidents since 1960, the most "decent," by many standards, would be (in no particular order( Gerald Ford, Jimmy Carter and George H.W. Bush. Kennedy was a womanizer. Johnson too, and he used his office to feather his nest. Nixon committed felonies in the Oval Office. Reagan was divorced, an unenthusiastic churchgoer and a stranger to some of his grandchildren. Clinton, well, we know about Clinton. George W. Bush was an alcoholic playboy as a young man, when he was "young and irresponsible."

Ford was never elected, Carter and Bush the elder served one term each. That tells us something about the importance of "decency" to the success of our presidents.

Well, I think it was a lot more than just the mainstream media looking down their noses at the tabloid press. The story came from the National Enquirer, which has a history of doing real, honest-to-god news reporting. And the evidence was pretty clear. They had pictures of Edwards at the hotel, and then trying to dodge the reporter. This wasn't Photoshopped pictures of aliens shaking hands with the President, as in Weekly World News. It was solid facts. The mainstream press ignored it because most of the reporters are in bed with the Democrats and they like Edwards. Just like the way they played down the fact that this guy made his money as a slick trial lawyer fleecing the silicone implant industry out of hundreds of millions of dollars, claiming implants caused all sorts of diseases. Those same implants are being used today because the FDA found no proof they cause any illness. The media also ignored the hypocrisy of him going around during his campaign trying to identify with the common man while he himself is worth $100 million and lives in a giant mansion on a huge estate. So it''s no wonder they tried to pass on the story, until it got too big to ignore. If the mainstream media did its job properly, it wouldn't let guys with shaky morals like John Edwards and Bill Clinton get as far as they did, and they would hammer politicians whose friends include domestic terrorists and racist ministers. The press should force both parties to find decent people to run for office rather than doing puff pieces that gloss over their previous indiscretions.

Post a comment

Display Name

Change Image
Before submitting this form, please type the characters displayed above.
Note the letters are NOT case sensitive.

Peter Bart's Column

Oscar season spotlights disconnect
Kudos laud pics the studios routinely retreat from
It's always surreal during awards season to watch studio chiefs applaud the winning pictures, since these are the same movies that they'd previously turned down.
• read more

About

Peter Bart is the editor in chief of Variety and the co-host of long-running AMC talk show Shootout. PeterBart.com is his take on the world of entertainment, culture, politics and more.

Subscribe to Peter Bart's Blog Feed Subscribe to Peter Bart's Blog Feed
The opinions expressed on this blog are the opinions of Peter Bart only, and do not necessarily reflect the opinions, views or positions of the Company.
Seth Rogen, Jonah Hill & Evan Goldberg explain why they're convinced their next plane flight is doomed, as well as how they conceived of the idea behind SUPERBAD.; Knocked Up; Judd Apatow; superbad; AMC; Jonah Hill; Seth Rogen; Shootout; Evan Goldberg; Seth Rogen, Jonah Hill & Evan Goldberg claim that the web-only R-rated trailer for SUPERBAD has been its biggest marketing asset.; superbad; AMC; Jonah Hill; Seth Rogen; Shootout; Evan Goldberg; Nikki Blonsky reveals the unique and sneaky way the producers of HAIRSPRAY sprung the news that she had been cast as Tracy Turnblad.; hairspray; Neil Meron; Craig Zadan; tracy turnblad; AMC; Shootout; nikki blonsky; HAIRSPRAY Producers Neil Meron and Craig Zadan, along with Nikki Blonsky (Tracy Turnblad), talk about working with John Travolta and why he was their natural choice for Edna Turnblad.; hairspray; Neil Meron; Craig Zadan; AMC; Shootout; nikki blonsky; john travolta; HAIRSPRAY Producers Craig Zadan and Neil Meron explain their choice of Adam Shankman to direct the film: "It's in the DNA."; hairspray; Neil Meron; Craig Zadan; AMC; Shootout; nikki blonsky; Adam Shankman; WEB EXCLUSIVE! Former Czech President Vaclav Havel explains his 18 year hiatus from playwriting and why he has decided to write again now.; Czech; AMC; Shootout; Vaclav Havel; playwriting; Nandita Das & Arsinee Khanjian, two jurors at the Karlovy Vary Film Festival, discuss how they evaluate the films they see, and comment on the content of film festivals today.; AMC; Karlovy Vary; Arsinee Khanjian; Shootout; Nandita Das; WEB EXCLUSIVE! Monte Hellman at the Karlovy Vary Film Festival speaks on TWO LANE BLACKTOP, Francis Ford Coppola, and movies of the 70's, but explains "I don't think in decades."; Karlovy Vary; Monte Hellman; Two Lane Blacktop; AMC; francis ford coppola; Shootout; Danny DeVito shares his experiences working with Milos Forman and Jack Nicholson on ONE FLEW OVER THE CUCKOO'S NEST, and recalls a basketball game soft-drink mishap during a break from filming.; one flew over the cuckoo's nest; MILOS FORMAN; AMC; Jack Nicholson; Danny DeVito; Shootout; Bud Cort (Harold) from Harold and Maude tells us why he thinks the film did so poorly when it was first released, and about his joy at seeing it evolve from "cult film" to "American classic."; AMC; Karlovy Vary; Shootout; Harold and Maude; Bud Cort; Cybill Shepherd talks about her first movie, The Last Picture Show, and how she worried about her nude scenes and making the other actresses jealous.; AMC; The Last Picture Show; Karlovy Vary; Shootout; Cybill Shepherd; WEB EXCLUSIVE! Ethan Hawke talks about the burden of having great success at a young age, and how Robin Williams helped him through a difficult scene in DEAD POETS SOCIETY.; Robin Williams; AMC; Ethan Hawke; Shootout; Dead Poets Society; WEB EXCLUSIVE! Ethan Hawke gives a glimpse into the making of his film THE HOTTEST STATE, and how he expects it to do in theaters.; AMC; Ethan Hawke; The Hottest State; Shootout; WEB EXCLUSIVE! Ethan Hawke talks about working with Denzel Washington on TRAINING DAY, and how Washington "walks the world like he owns the joint."; Ethan Hawke; Training Day; Denzel Washington; AMC; Shootout; Robert De Niro; WEB EXCLUSIVE! Ethan Hawke discusses what it's like for two actors to be married, and why Warren Beatty's ego is not in any danger.; AMC; Ethan Hawke; Shootout; warren beatty; Werner Herzog explains that he knew Steve Zahn would be perfect for his role as a POW in Rescue Dawn because he "loves actors who know how to milk a cow."; Sunday Morning Shootout; Steve Zahn; AMC; Rescue Dawn; Werner Herzog; Werner Herzog and Steve Zahn disagree over living in Los Angeles vs. Kentucky; Sunday Morning Shootout; Steve Zahn; AMC; Rescue Dawn; Werner Herzog; Werner Herzog explains how he had to "invent cinema for himself" because of his lack of access to technology growing up.; Sunday Morning Shootout; AMC; Rescue Dawn; Werner Herzog; Geoffrey Rush explains why he feels that Johnny Depp is one of the truly great actors of this era.; geoffrey rush; johnny depp; Geoffrey Rush gives a behind-the-scenes perspective on why the credit list is so long for PIRATES OF THE CARRIBBEAN; geoffrey rush; pirates of the carribbean; candy; LITTLE MISS SUNSHINE herself, Abigail Breslin explains why she loves acting and speculates about the possibility of a career in show business.; Sunday Morning Shootout; Peter Bart; AMC; abigail breslin; Peter Guber; Alan Arkin explains why he doesn't mind when his characters die in the movies.; Sunday Morning Shootout; Peter Bart; AMC; Alan Arkin; Peter Guber; Andy Garcia explains how he drew on 27 years of experience in film acting as he made his directorial debut with THE LOST CITY.; Andy Garcia; Sunday Morning Shootout; Peter Bart; The Lost City; AMC; Peter Guber; Andy Garcia talks about the propensity for independent films to be recognized at the Academy Awards.; Andy Garcia; Sunday Morning Shootout; Peter Bart; AMC; Academy Awards; Peter Guber; Bill Paxton reveals how he found a way to identify with the character of a polygamist in BIG LOVE.; Big Love; Bill Paxton; Sunday Morning Shootout; Peter Bart; AMC; Peter Guber; Brett Ratner talks about the driving force--desperately wanting to direct a comic book franchise film--that made him lobby to work on X-MEN: THE LAST STAND. (01m 24s); X-Men; Sunday Morning Shootout; Peter Bart; AMC; Brett Ratner; Peter Guber; Brett Ratner muses about being banned by (and subsequently, allowed back to) the Hotel du Cap, one of the hottest resorts at the Cannes Film Festival. (02m 16s); Cannes; Sunday Morning Shootout; Peter Bart; AMC; Brett Ratner; Hotel du Cap; Peter Guber; CRASH producer Bob Yari explains why he felt it was important that he press his lawsuit against the Academy.; Bob Yari; Sunday Morning Shootout; Peter Bart; AMC; crash; Peter Guber; Charlize Theron describes what it felt like to win a Golden Globe.; Charlize Theron; Sunday Morning Shootout; golden globes; Peter Bart; AMC; Peter Guber; Chris Rock talks about the difficulty he would have in branching out to non-comedic roles.; Sunday Morning Shootout; Peter Bart; AMC; Chris Rock; Chris Rock discusses the tenuous nature of success in the entertainment industry.; Sunday Morning Shootout; Peter Bart; AMC; Chris Rock; Chris Rock discusses what it's like to prepare for a tour, and reveals his key demographic.; Sunday Morning Shootout; Peter Bart; AMC; Chris Rock; Chris Silverman discusses the value of constantly updated information in Hollywood. (01m 20s); Sunday Morning Shootout; Peter Bart; AMC; Chris Silverman; Peter Guber; Clint Eastwood discusses his movie FLAGS OF OUR FATHERS.; Sunday Morning Shootout; Peter Bart; AMC; Flags of Our Fathers; Clint Eastwood; Peter Guber; Clint Eastwood recounts the difficulties of shooting a war movie on location in Iwo Jima which is considered a shrine by the local population.; Iwo Jima; Sunday Morning Shootout; Peter Bart; AMC; Clint Eastwood; Peter Guber; Kevin Costner discusses his role in the movie THIRTEEN DAYS; Shootout; Kevin Costner; Kevin Costner talks about the challenges of portraying a serial killer in MR. Brooks; Shootout; Kevin Costner; Kevin Costner discusses how important it is to offer studios a return on their investment in his movies, but declares that ultimately it's the end product that really moves him.; Shootout; Kevin Costner; Kevin Costner discusses he would have loved to play Steve McQueen's role in the movie SAND PEBBLES; Shootout; Kevin Costner; Craig Ferguson explains why he finds acting in big budget features repellent and yearns for a time when movies were movies.; Sunday Morning Shootout; Peter Bart; AMC; craig ferguson; Peter Guber; Cuba Gooding, Jr. reflects on some of the mistakes he made in managing his career after winning an Oscar for his role in Jerry Maguire.; Sunday Morning Shootout; Peter Bart; Jerry Maguire; AMC; Academy Awards; Cuba Gooding Jr.; Oscar; Peter Guber; Mark Cuban gives his outlook on YouTube and the Web 2.0 phenomenon.; Mark Cuban discusses the possibility of buying the Chicago Cubs.; Shootout; Mark Cuban; Danny DeVito discusses his new Clickstar business ventures and the new channels he's developing.; Sunday Morning Shootout; AMC; Danny DeVito explains his perspective on why Arnold Schwarzenegger is so good at both acting and politics.; Arnold Schwarzenegger; Danny DeVito; Danny DeVito discusses the appeal of making movies in many different genres.; Sunday Morning Shootout; Peter Bart; AMC; Danny DeVito; Peter Guber; LITTLE MISS SUNSHINE producer David Friendly explains how the film's cast found a nearly magical chemistry with one another.; Little Miss Sunshine; David Friendly; Sunday Morning Shootout; Peter Bart; AMC; Peter Guber; Dennis Hopper discusses his involvement with the CineVegas Film Festival. (00m 45s); Sunday Morning Shootout; Peter Bart; AMC; Peter Guber; Dennis Hopper; Dennis Hopper reminisces about how art has influenced him as an actor and a director. (01m 03s); Art; Sunday Morning Shootout; Peter Bart; Easy Rider; AMC; Peter Guber; Dennis Hopper; Dennis Hopper discusses the pros and cons of the dissolution of Hollywood's old studio system. (o1m 56s); Sunday Morning Shootout; Peter Bart; AMC; Peter Guber; Dennis Hopper; Dennis Hopper ponders whether or not he'll be able to write a retrospective of his life--especially when he considers everything he'll need to leave out. (01m 24s); memoirs; Sunday Morning Shootout; Peter Bart; AMC; Peter Guber; Dennis Hopper; Edward Norton explains his distinction between promoting his films and promoting himself, and why he prefers one over the other.; Edward Norton; Edward Norton discusses his sweeping new movie THE PAINTED VEIL.; The Painted Veil; Edward Norton; Sunday Morning Shootout; Peter Bart; AMC; Ed Norton; Peter Guber; Edward Norton recounts advice from and encounters with the inimitable Warren Beatty; Edward Norton; Sunday Morning Shootout; Peter Bart; AMC; warren beatty; Peter Guber; Edward Norton bemoans what he calls the "orgy of self congratulations" that the awards season has become in Hollywood.; Edward Norton; Sunday Morning Shootout; Peter Bart; AMC; Ed Norton; Peter Guber; Emilio Estevez explains how a chance encounter while on a writing retreat at a ramshackle motel led to an unlikely inspiration as he wrote the script for BOBBY.; Sunday Morning Shootout; Peter Bart; Bobby; AMC; Emilio Estevez; Peter Guber; Emilio Estevez recounts how difficult it was to shoot scenes of BOBBY at the Ambassador Hotel while bulldozers worked just off camera.; Sunday Morning Shootout; Peter Bart; Bobby; AMC; Emilio Estevez; Peter Guber; Emilio Estevez describes how he made concessions in the filming of BOBBY in order to keep the film on budget.; Sunday Morning Shootout; Peter Bart; Bobby; AMC; Emilio Estevez; Peter Guber; Greg Kinnear and producer David Friendly discuss the way LITTLE MISS SUNSHINE progressed from script to screen.; Little Miss Sunshine; David Friendly; Sunday Morning Shootout; Peter Bart; AMC; Greg Kinnear; Peter Guber; Greg Kinnear expresses why he chose to leave broadcast television to pursue a career in acting.; Sunday Morning Shootout; Peter Bart; AMC; Greg Kinnear; Peter Guber; Greg Kinnear outlines the factors that inform why he chooses one role over another.; Sunday Morning Shootout; Peter Bart; AMC; Greg Kinnear; Peter Guber; Director Guillermo del Toro talks about the success of PAN'S LABYRINTH, and the effect it's had on his career.; Sunday Morning Shootout; Peter Bart; Guillermo Del Toro; Peter Guber; Pan's Labyrinth; Gwyneth Paltrow reflects on the pressure that comes with having won an Academy Award.; Gwyneth Paltrow; Sunday Morning Shootout; Peter Bart; AMC; Academy Awards; Oscar; Peter Guber; Helen Mirren discusses her preparations for THE QUEEN and transcending her roots.; Sunday Morning Shootout; Peter Bart; helen mirren; Hugh Hefner explains why he thinks that America will never return to the Victorian-esque sexual politics that characterized the 1950s.; Sunday Morning Shootout; Peter Bart; AMC; Hugh Hefner; Peter Guber; Hugh Hefner describes how PLAYBOY found its way out of tough financial times back into the black.; Sunday Morning Shootout; Peter Bart; AMC; Hugh Hefner; playboy; Peter Guber; Hugh Jackman explains how an early morning ritual helps him tap into the dark side of his personality in order to portray the character Wolverine in the X-MEN franchise.; X-Men; Sunday Morning Shootout; Peter Bart; AMC; Hugh Jackman; Peter Guber; Hugh Jackman explains how differently Broadway theater-goers approach a night at the theater compared with their London counterparts.; Sunday Morning Shootout; Peter Bart; AMC; Hugh Jackman; Peter Guber; Jackie Earle Haley reflects on his life as a child actor and on his second shot at Hollywood.; Sunday Morning Shootout; Peter Bart; Jackie Earle Haley; Javier Bardem discusses his role in NO COUNTRY FOR OLD MEN.; Cannes; Sunday Morning Shootout; Peter Bart; AMC; Shootout; Javier Bardem; Peter Guber; Jennifer Hudson talks about her post-DREAMGIRLS success, and the new direction her career is taking.; Jennifer Hudson; Sunday Morning Shootout; Peter Bart; DreamGirls; AMC; Peter Guber; Director John Lasseter talks about why Hollywood should focus more on making great family films.; Sunday Morning Shootout; Peter Bart; AMC; John Lasseter; Peter Guber; John Lasseter reveals the secret of the "creative brain trust" and the importance of honesty.; animation; john lassetter; John Lasseter reveals a proposed alternate title for the new film RATATOUILLE; sequels; john lassetter; Ratatouille; John Waters discusses the $70 million budget for HAIRSPRAY, and sympathizes with Pee Wee Herman.; Sunday Morning Shootout; John Waters; Pee Wee Herman; AMC; hairspray; John Waters explains why the childern's movie he is trying to make has become the most difficult project he has ever faced.; Sunday Morning Shootout; John Waters; John Waters professes his love for Kevin Federline and enthuses about the prospect of working with him.; Keven Federline; Sunday Morning Shootout; John Waters; Peter Bart; AMC; Britney Spears; Peter Guber; John Waters discusses his new TV show TILL DEATH DO US PART about spousal murders.; Sunday Morning Shootout; John Waters; John Waters explains why he has always been more attracted to villains in the movies.; Sunday Morning Shootout; John Waters; Kate Winslet sticks up for actor Jude Law, revels in the joy of playing a contemporary British woman, and rues the lack of bathroom breaks at the Oscars.; Kate Winslet; Sunday Morning Shootout; Peter Bart; AMC; Peter Guber; Kevin Connolly and Lukas Haas discuss their new movie premiering at the Tribeca Film Festival; Lukas Haas; Kevin Connolly; Shootout; Kurt Russell talks about his experience working with Quentin Tarantino on GRINDHOUSE; Kurt Russell; grindhouse; Quentin Tarantino; Mark Wahlberg talks about his experiences working with Martin Scorsese on THE DEPARTED. ; Sunday Morning Shootout; Peter Bart; AMC; Mark Wahlberg; The Departed; Peter Guber; Matt Dillon muses about his first trip around the Oscar circuit, and his status as an "old pro." (02m 14s); Oscars; Matt Dillon; Sunday Morning Shootout; Peter Bart; AMC; Peter Guber; Paramount Pictures producer Lorenzo DiBonaventure is critical of the lack of passion that he sees in many studio executives and financiers.; Sunday Morning Shootout; Peter Bart; AMC; Paramount Pictures; Lorenzo DiBonaventure; Peter Guber; Paul Haggis, the writer and director of CRASH, talks about how his film has consistently defied expectations. (02m 24s); Paul Haggis; Sunday Morning Shootout; Peter Bart; AMC; crash; Peter Guber; Rosario Dawson recounts how she watched RESERVOIR DOGS seven times in one week and was in awe of Quentin Tarantino's storytelling ability.; Shootout; Rosario Dawson; Tribeca Film Festival; Rosario Dawson shares her excitement about the audience reaction to THE DESCENT which was screened at the Tribeca Film Festival.; Shootout; Rosario Dawson; Tribeca Film Festival; The Descent; Terrence Howard explains the courage it takes an actor to challenge himself with a difficult role by declaring, "I refuse to look like a fool."; Sunday Morning Shootout; AMC; Academy Awards; Terrence Howard; Oscars; Tim Robbins explains why so many studios passed on producing DEAD MAN WALKING.; Dead Man Walking; Sunday Morning Shootout; Peter Bart; AMC; Tim Robbins; Peter Guber; Tim Robbins describes how preparation for a role often forces an actor to withhold judgment and find compassion for historical figures that they would normally be repelled by.; Sunday Morning Shootout; Peter Bart; AMC; Tim Robbins; Peter Guber; Tim Robbins reflects on the professional price of being active politically and the personal price of remaining silent. ; Sunday Morning Shootout; Peter Bart; AMC; Tim Robbins; Peter Guber; Vin Diesel explains why he fell in love with the fantasy role-playing game Dungeons & Dragons and what kept him playing even as he worked as a bouncer in New York City.; Vin Diesel; Sunday Morning Shootout; Peter Bart; AMC; Peter Guber; Dungeons & Dragons; Vin Diesel recounts how he bought a Sidney Lumet book to learn how to direct when he was embarking upon his career.; Sidney Lumet; Vin Diesel; Sunday Morning Shootout; Peter Bart; AMC; Peter Guber; Vin Diesel explains why he is the rare actor that actually enjoys promoting his movies.; Vin Diesel; Sunday Morning Shootout; Peter Bart; AMC; Peter Guber; Steven Spielberg describes his original vision for Dreamworks and reflects on the reality of the studio.; Sunday Morning Shootout; Peter Bart; AMC; Steven Spielberg; Peter Guber; Greg Kinnear and David T. Friendly discuss how their experimentation paid off when casting LITTLE MISS SUNSHINE; Little Miss Sunshine; David Friendly; Greg Kinnear; Jessica Biel shares her experience working with Adam Sandler and stresses the importance of variety in her film choices.; Jessica Biel;