Cottbus festival increases prize money
Budget rises above Euros 600,000 ($835,000)
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The fest's overall budget which this year will be in excess of Euros 600,000 ($835,000) is also likely to be slightly higher than last year due to increased support from sponsors, which include major industrial and mining company Vattenfall, the Berlin-Brandenburg state film funding agency and the EU Media program.
Cottbus, which marks its 19th edition in November, announced Monday new prizes totaling $8,356, which will take its prize purse to $97,467.
A new $4,175 award the Dialog Prize for Intercultural Communication, backed by the German foreign office is to be established this year and an additional $4,175 is also likely to be made available for an existing non-cash award for best debut chosen by university students from the region. Three local colleges the Brandenburg University of Technology, Cottbus, the Lausitz University of Applied Sciences and Berlin's Konrad Wolf film and television academy are planning to put in the cash, festival director Roland Rust said during a presentation at the Karlovy Vary Film Festival.
Based in the former East German town of Cottbus, situated between Berlin and Dresden, the festival has established itself as a key focus for Eastern European filmmakers.
It attracts a strong industry attendance for its associated Connecting Cottbus co-production forum, which has established a track record as a successful incubator for European co-productions.
Polish-German co-prod "Piggies" (Swinki) directed by Robert Glinski a controversial examination of the cross-border business in homosexual pedophilia, where German men travel to Poland for sexual encounters with boys and young men which is in the main competition at Karlovy Vary's 44th edition, is the first film to emerge from the Connecting Cottbus co-prod event to be programmed in the full competition section of an A-class festival.
Cottbus festival director Rust told Variety: "The festival is enjoying continued even increased support despite the economic downturn because it is recognized as a successful champion and promoter of Eastern European film.
"We are both a showcase for film from the region and a tool for creating pan-European co-productions."







