Brach dies at 79
Scribe known for 'Name of the Rose,' Polanski pics
In a nation where the writer-director is king, Brach stuck to scripting, providing the written templates for well-regarded visual stylists.
In addition to Polanski ("Repulsion," 1964; "Cul de sac," 1966; "The Fearless Vampire Killers or Pardon Me, But Your Teeth Are in My Neck," 1967; "What?" 1973; "The Tenant," 1976; "Tess," 1979; "Pirates," 1986; "Frantic," 1988; "Bitter Moon," 1992) and Jean-Jacques Annaud ("The Bear," 1988; The Lover," 1992), he worked with Marco Ferreri ("Bye Bye Monkey," 1977), Michelangelo Antonioni ("Identification of a Woman," 1982), Andrei Konchalovsky ("Maria's Lovers," 1984; "Shy People," 1987) and Claude Berri ("The Two of Us," 1968; "Jean de Florette" and "Manon of the Spring," 1986).
Brach stepped behind the camera only twice, in 1970 for "La maison," starring Michel Simon, and a year later for "Le bateau sur l'herbe," starring Jean-Pierre Cassel. Neither film made much of a commercial dent.
Brach, who was born in the Paris suburb of Montrouge in 1927, contracted tuberculosis at age 18 and spent five years in a sanatorium, reading voraciously and investigating the surrealism movement that would influence his work.
Brach worked as a production assistant in the 1950s, then as an inhouse publicist at 20th Century Fox from 1959-1962.
In 1963, Polanski asked him to write "La Riviere de diamants" for the omnibus film "The World's Greatest Swindles" and a three-decade partnership was born.
Brach, who had agoraphobia from the early 1970s on, rarely left his Paris apartment, resulting in a mystical insularity some believe is reflected in his writing.
Annaud is currently in production on Brach's final screenplay, the French-language "Sa majeste Minor," (His Majesty Minor), lensing in Spain.
















