Festival cornucopia


New Directors to unspool 'Camp,' 'Guys'

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Actor-turned-director Todd Graff's youth musical "Camp," from IFC Films; "The Guys," Focus Features' Jim Simpson-directed drama about Gotham firefighters lost in the World Trade Center attack; and Nathaniel Kahn's personal view of the double life of his celebrated father Louis Kahn, "My Architect," will represent the U.S. in the 32nd New Directors/New Films festival.

Jointly programmed by the Film Society of Lincoln Center and the Museum of Modern Art's film department, the eclectic international showcase for emerging talent will run this year for the first time at the Lincoln Center's Alice Tully Hall and Walter Reade Theater and at MoMA Film's temporary home at the Gramercy Theater.

Event unspools March 26-April 6, kicking off with previously announced opener "Raising Victor Vargas," a tender tale of Lower East Side Latino teens from director Peter Sollett. Samuel Goldwyn Films and Fireworks Pictures are releasing the pic.

'Sun,' 'Ticket' on sked

Among titles selected with U.S. distribution in place are Lions Gate Films' "Mondays in the Sun," a Spanish drama of unemployed shipyard workers starring Javier Bardem and directed by Fernando Leon de Aranoa; Rashid Masharawi's docufiction "Ticket to Jerusalem," a Palestinian-Dutch-French co-production from Global Film Initiative; Czech helmer Vladimir Michalek's comedy about a pensioner and his long-suffering wife, "Autumn Spring," from First Look Pictures; and British documaker Kim Longinotto's examination of female circumcision, "The Day I Will Never Forget," from Women Make Movies.

Other selections include Tajik director Jamshed Usmonov's poetic drama "Angel on the Right," which premiered last year at Cannes; Tareque Masud's account of a political uprising and its impact on a rural family, "The Clay Bird," from Bangladesh; Chinese newcomer Chuan Lu's bittersweet black comedy murder mystery "The Missing Gun," from Columbia Pictures Film Prod. Asia; and Gyorgy Palfi's dialogue-less meditation on Hungarian village life, "Hukkle."

African, Latin lineup

African cinema is repped by Mahamet Saleh Haroun's "Abouna," from Chad; Latin America by Adrian Caetano's Argentinean box office hit "The Red Bear" and Brazilian filmmaker Jose Padilha's "Bus 174," an account of a Rio hijacking that drew one of the strongest receptions of the Sundance international docu lineup; and East Asia figures with Nishikawa Miwa's "Wild Berries" from Japan and "Infernal Affairs," directed by Hong Kong duo Andrew Lau and Alan Mak and starring local heartthrobs Tony Leung and Andy Lau.

Remaining selections include Iranian director Fariborz Kamkari's "Black Tape -- The Videotape Fariborz Kamkari Found in the Garbage," Israeli Igal Bursztyn's "The Glow" and Maja Weiss' "Guardian of the Frontier" from Slovenia.

As previously reported, Italy is present with an unprecedented three titles in the selection: Emanuele Crialese's "Respiro" from Sony Pictures Classics; Matteo Garrone's "The Embalmer," from First Run Features; and Roberta Torre's "Angela," from First Look.

From Within
Chaotic year lessens Venice lineup
With a fresh new four-year mandate, Marco Mueller finally has a chance to burnish his legacy on the Lido and take it to a higher plateau.
George Clooney
Hollywood debates festival costs
In frugal times, studios are rethinking the value of expensive European preems and the impact on box office and Oscar.
Slumdog Millionaire
There's a lot of pressure on Toronto to show the way ahead for the film business, particularly the indies.
Unspoken
Talented Belgian writer-director Fien Troch engages in a difficult dramatic game with her second film, "Unspoken," and falls short of the mark. Intensely involved with the emotionally alienated and disoriented parents of a teenage girl who went missing four years earlier, Troch's work is so bundled in elliptical moments and scenes without context that it will test -- and break -- most viewers' patience.

It's Not Me, I Swear!

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Kanchivaram

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